I found Rome built of bricks; I leave her clothed in marble.
Augustus was a great builder and patron of the arts.
I wanted to disconnect from contemporary architecture
There may be some changes in building codes, but I don't see any stylistic departure that you'll be able to attribute to Sept. 11.
Modern architecture needed to be part of an evolutionary, not a revolutionary, process.
I found Rome a city of bricks and left it a city of marble.
The outside of any building may now come inside and the inside go outside, each seems as part of the other. Continuity, plasticity, and all the new simplicity the imply have at last come home.
When I started out, nearly every architect I knew was working in public practice; that's where the radical thinking was done. But, there's always a danger of looking back as our fathers did and saying, 'Things were better then.'
Change life! Change Society! These ideas lose completely their meaning without producing an appropriate space. A lesson to be learned from soviet constructivists from the 1920s and 30s, and of their failure, is that new social relations demand a new space, and vice-versa.
The old Paris is no more (the form of a city changes faster, alas! than a mortal's heart).
We wanted a world that looked like our world. In the original 'Flintstones,' low flat buildings filled the city and suburbs. Now, high-rise buildings and apartments exist next to the family neighborhoods. Part of the 'Flintstone' fun remains its parallel of our world.
Shepperton Church was a very different looking building five-and-twenty years ago. To be sure, its substantial stone tower looks at you through its intelligent eye, the clock, with the friendly expression of former days; but in everything else what changes!
There are some very similar moments in the early work where the focus was on drawing, abstraction and fragmentation. Then it moved to the development of ideas. Lately it has become what architecture should be, which is more fluid organization. There has not been so much 'a change' but 'a development'.
These days malls are the cathedrals of the modern world, and old buildings that had character are gone to allow for econo-worship and peso-pilgrimages.
The intellectual force of the West is still dominant, but other cultures are getting stronger. I expect that we will develop a new way of thinking in architecture and urban planning, and that less will be based on our models.
Everything - design and technology and materials - has changed since the World Trade Center was built. A lot of it has to do with computers, which allow us to be far more efficient as well as structurally sound.
One of the outstanding achievements of the new constructional technique has been the abolition of the separating function of the wall.
At this present time, matter is still the best way to think of architecture, but I'm not so sure for very long. The computer is radicalizing the way we think about our world.
Avant-garde architects have never been able to depend on the support of the establishment, since the customary patrons of this most conservative and slowly moving art form have historically been resistant to innovation and experiment.
A temple, you know, was anciently "an open place without a roof," whose walls served merely to shut out the world and direct the mind toward heaven; but a modern meeting-house shuts out the heavens, while it crowds the world into still closer quarters.
The time is probably near when a new system of architectural laws will be developed, adapted entirely to metallic construction.