When I plug in my guitar and play it really loud, loud enough to deafen most people, that's my shot of adrenaline, and there's nothing like it. That's what it's always been for me - to be the flame the tribe dances around.
The electric guitar meant that you could have a band with a drummer and a couple of guitars. And that put a lot of horn players out of work.
When I write in the studio, I tend to gravitate toward the ability to play really loud, aggressive, post-punk stuff, with big, heavy guitars and a big rock drum sound.
Let’s be realistic about this, the guitar can be the single most blasphemous device on the face of the earth. That’s why I like it . . . The disgusting stink of a too-loud electric guitar: now that’s my idea of a good time.
Kids now are so used to surround sound and the power in theater speakers, that the concert hall is a disappointment to them.
I do some solo, acoustic stuff, but I also like plugging in my electric guitar and playing loud with a band.
We play loud electric guitar music, and we'd hope that that doesn't mean you have to act like an asshole.
You know, songs like 'Rock'n Me' were actually written to be played in large... for a hundred thousand people kind of gatherings. And a lot of what came out on 'Fly Like an Eagle' and 'Book of Dreams' was music that was put together to be played in big, big venues with big light shows.
There would be no rock and roll or rhythm and blues without Leo Fenders' contribution ... the tone is everything
When you're up against an electric band like that, it's like you're on two separate planets.
I'm seeing and hearing lots of B to B instruments, and everybody isn't, you know, using them... a lot of these guys are trying to do it on conventional guitars, although that has its own sound, and maybe its okay.
We don't make a distinction between an acoustic instrument as a source of sound and any sound in the air outside or on a manufactured tape. It's all electric energy, anyway.
Most of my songs start out as being very aggressive and guitar-driven.
Without the Fender bass, there'd be no rock n' roll or no Motown. The electric guitar had been waiting 'round since 1939 for a nice partner to come along. It became an electric rhythm section, and that changed everything.
