One of those things that I find hard to dispose of is my attitude to album sequencing, the layout of the pieces.
I started running to different albums, and I was starting with the short albums and moving on to the longer albums. I was interested in how they built up, in tempo and intensity. it made me interested in albums again, too.
At the beginning of the tour, I arrange the live show exactly like the album, but of course from one audience to another, from one venue to another, it can become longer.
I've waited for the day my debut album is released my entire life, so naturally I've designed it to be listened to from start to finish - so every song flows into each other in a way that tells a sonic story.
When I compose an album, I don't think about how to adapt it on stage.
We're very historically tried and true when it comes to our albums. We pick the best songs; we get rid of the songs we feel don't fit on the album, and we don't work on remixing or remastering albums.
For a band like us tracklisting is a massive, massive task.
I always wanted to, at some point, sit down and consider how to plot out one piece of work, one album, from start to finish.
'Vol. 3' has broken down more barriers for us. We worked with different styles on this album. It's more musically mature in arrangement and is conceptual.
