Adverb Usage Quotes

Substitute 'damn' every time you're inclined to write 'very'; your editor will delete it and the writing will be just as it should be.

The miracle is the adverbs, the way things are done.

Never use an adverb to modify the verb 'said' . . . he admonished gravely. To use an adverb this way (or almost any way) is a mortal sin. The writer is now exposing himself in earnest, using a word that distracts and can interrupt the rhythm of the exchange.

I believe the road to hell is paved with adverbs, and I will shout it from the rooftops.

There are a lot of other things besides nouns.

Never use the word, 'very.' It is the weakest word in the English language; doesn't mean anything. If you feel the urge of 'very' coming on, just write the word, 'damn,' in the place of 'very.' The editor will strike out the word, 'damn,' and you will have a good sentence.

The road to hell is paved with adverbs.

I have no policy, for or against: only a personal style. Which is to say, I use them when I think it's appropriate to; for example, an internal monologue by a locquacious and verbose narrator is more likely to be larded with adverbs than an exchange of instant messages between cops at a crime scene.

Adverbs, we know, are meant to modify a verb, an adjective, or another adverb. They help us understand things more clearly, more vividly, more... morely.

If you are using an adverb, you have got the verb wrong.

I am dead to adverbs; they cannot excite me. To misplace an adverb is a thing which I am able to do with frozen indifference; it can never give me a pang. There are subtleties which I cannot master at all - they confuse me, they mean absolutely nothing to me - and this adverb plague is one of them.

He spares no resource in telling of his dead inventions... Bare verbs he rarely tolerates. He splits infinitives and fills them up with adverbial stuffing. He presses the passing colloquialism into his service. His vast paragraphis sweat and struggle; the

Adverbs lead to overwriting. Try taking them out and reading your prose again to see how it sounds. Simple and less words are more powerful.

Frankly, I wonder who Frank was, and why he has an adverb all to himself.

Saw you walking barefoot taking a long look at the new moon's eyelid later spread sleep-fallen, naked in your dark hair asleep but not oblivious of the unslept unsleeping elsewhere Tonight I think no poetry will serve Syntax of rendition: verb pilots the plane adverb modifies action verb force-feeds noun submerges the subject noun is choking verb disgraced goes on doing now diagram the sentence

Using adverbs is a mortal sin.

The words I overuse are all adverbs.

I don't really know what an adverb is. A dangling participle? That sounds really rude. I don't know what character is, really. Plot seems vaguely juvenile to me. It's all about language, it's all about how you apply it to the page.

Rather, very, little, pretty - these are the leeches that infest the pond of prose, sucking the blood of words. The constant use of the adjective little (except to indicate size) is particularly debilitating; we should all try to do a little better, we should all be very watchful of this rule, for it is a rather important one, and we are pretty sure to violate it now and then.