I've been dubbing my own lines in Tamil for some time now.
I was always quite good with accents - I always had quite a good ear - so from the age of about 13, I used to do a lot of voiceover and dubbing for foreign films.
We all had to learn Southern accents. It wasn't a big research show. With the 'Wounded Knee' project, I locked myself in my apartment with history books so I would know what we're talking about.
I never worked with a dialogue coach before, but I'd hate it if an American did a British accent and didn't do it well. It would be insulting.
Those English and Scottish know how to do accents.
The accent got lost somewhere along the way. I'm a little embarrassed about it. When I arrived in LA I assumed I'd be able to put on the American accent. It proved difficult so I had six months working with a dialect coach and it's become a habit.
I would love to play a British character one day. My accent wavers between Scottish and Irish very easily, though.
Accents are very tangible, blessedly, and if you have to do one, it's a way of getting into character. I can read it through a few times and pretend I know what I'm doing!
If you're in America a lot, it's easy to get into playing American. All of it, the sounds, the energies, all very different. But it's really hard to do the accent. I tend to try and stay in it all day, which is the only way I can manage it.
For 'Dum Maro Dum,' I had a diction tutor, as I had to get rid of my Hyderabadi Hindi and learn Goan Hindi. It wasn't easy, because these two kinds of Hindi were mutually incompatible. I had to unlearn one kind of Hindi and then learn a new kind.
I could do an American accent, if I were immersed in the accent, meaning if I were living back in Los Angeles and rehearsing and auditioning the whole time.
I love playing characters with different accents. It's a lot of fun.
You know what it is, when I'm playing a role sometimes, I just tend to stay in that role. It's easier to maintain. We just shot a pilot in a very thick American accent. I feel like the character lives in me. Of course, my family tease me about it.
There's always a certain kind of homework you have to do when there's an accent involved.
My American accent is really, really good. I started out in the theater, doing all different characters with all different accents. When I first came to America, I thought I would be playing American, all the time. It was just weird how it worked out that I played more international characters.
When I arrived in L.A., I assumed I'd be able to put on the American accent. It proved difficult, so I had six months working with a dialect coach, and it's become a habit.
I've always thought that speaking a foreign language from a young age makes you a little bolder when it comes to speaking and doing accents and things like that.
I have always like doing accents; I find it much easier to get into character for me.
I love doing accents because it takes you one step away from yourself and allows you to embody someone else's character.
I've never had my own accent in a film. It's something I schedule into my preparation. That's one of my favorite things, hearing all the voices.
I actually love working with accents. I don't know, something about it unlocks something in me. It makes me concentrate on getting into character a little more, helps me find a focus.
Before 'Scandal,' I was actually cast in two other pilots. Both went to series, but I was fired and recast. For both, it was because they wanted me to sound more 'girlfriend,' more like 'hood,' more 'urban.'
I often find during a day of shooting I will speak in an American accent all day long when I'm doing dialogue. At the end of the day, it often takes an effort when I'm talking to my fiancee to bring my English back just because you're so used to speaking that way.
When I have to switch back and forth, it's not hard to go from the American accent to speaking Spanish, but then speaking Spanish and going back into the American accent is hard. I practice it so much. I talk to myself in the mirror all the time. It's like speaking multiple languages.
I have a dialogue coach who helps me out with some of the more tricky Chicago vowel sounds.
