Simply writing a Ph.D. or academic book was unlikely to play much of a role in helping shape people's lives as I wanted.
Harvard meant a lot in my writing life from the beginning, even though I didnt actually do much composition on the spot.
The main differences between contemporary English and American literature is that the baleful pseudo-professionalism imparted by all those crap M.F.A. writing programs has yet to settle like a miasma of standardization on the English literary scene. But it's beginning to happen.
Personally I discovered that you could go through the academy as a young scholar, come out, and almost immediately have an impact on the academic environment.
I think college has helped me.
Can I pay any higher tribute to a man [George Gaylord Simpson] than to state that his work both established a profession and sowed the seeds for its own revision? If Simpson had reached final truth, he either would have been a priest or would have chosen a dull profession. The history of life cannot be a dull profession.
One reason citizens, politicians and university donors sometimes lack confidence in the social sciences is that social scientists too often miss the chance to declare victory and move on to new frontiers.
In terms of individuals who actually inspired me, very few of the academic people that I had access to had that power over me. Maybe it's simply because I wasn't that committed to geometry.
If you're going to be an academic who's involved in the world of policy, you have to be involved in the world that exists.
Scholarship cannot do without literature.... It needs literature to float it, to set it current, to authenticate it to all the race, to get it out of closets and into the brains of men who stir abroad.
In the university library, we know when a book has been used in a class or put on reserve... or while it was out, did somebody call it back in. It turns out to be a pretty good indicator of how relevant the work is at that time.