Freddie Wong Quotes

We're pretty insane about art direction.

When we were first approached with the idea to do videos, we said why not. We used the things that we do in our lives in the videos.

Gary Ross is amazing. He's just - he always has a billion ideas of what he wants, but has a very clear perspective also; he just makes it work. He really does. He's trying different things and making everything look amazing.

It's incredible, but I think a lot of people it shot over their heads 'cause they're used to just getting images and messing around with them, and for us to do something quite so 'designed' was a bit of a shock.

To be a successful Viner, you have to find your own style and be consistent. That will help you stand out from the rest.

I never tried to revolutionise photography; I just do what I do and keep my fingers crossed that people will like it.

I think the form, the Hollywood movie, I think the quality is obviously always going to be there and I think that the question of taste, there's always a question of taste.

It's amazing what you can do without in terms of filmmaking when a story is really important.

Make films whenever and however you can - don't take no for an answer.

What I want to give in the theatre is beauty, that's what I want to give.

I do think that I'm not good at making pretty things. It doesn't come so naturally for me.

People gave us everything for free. We were allowed only so much film per picture, but there was no limit to the creativity. I like to say that they let us loose like wild dogs in the streets of Paris.

I always have a soft spot in my heart for New York designers and independent designers, people who are doing the fashion equivalent of what I'm trying to do in film.

I am not a visual innovator.

I've admired Lawrence master from his choreographer days. I love how he experiments and makes it work. I like his attention to detail and the intrigue in his movies.

When we started doing YouTube, the goal was, hey, let's make stuff that we want to see, that entertains us.

Signature film-making seems rather dull to me; it's about finding something you can do something with and running with the ball.

People do Vine so many different ways. If you're original, then you'll get followers. There are people who do selfie Vines, people who do special effects, people who do artistic Vines. You have to find your niche and people will find it. Of course, it helps if you're 16 and if you're a handsome guy who is taking your shirt off.

I do not have a history in set design. I have a history in art. I draw. But I learned set design when I couldn't afford to have a team and I didn't want to look like I was indie. I wanted to give fans the visual.

Our style, in one word, the Image guys, our approach to the page was bold.

I am not indulgent. I think constructing a scene elaborately - with art, costume, and visual drama - is not indulgence. Other people should do it, too.

In all my films, I have tried a different look.

I don't want to make silly videos.

You can take a good picture of anything. A bad one, too.

I think there's some stuff that's at least photographically interesting. There are things I back off from trying to talk about.