Francois Arnaud Quotes

I don't think it is always necessary to take up the anti-colonial -- or is it post-colonial? -- cudgels against English. What seems to me to be happening is that those people who were once colonized by the language are now rapidly remaking it, domesticating it, becoming more and more relaxed about the way they use it -- assisted by the English language's enormous flexibility and size, they are carving out large territories for themselves within its frontiers.

Language is the road map of a culture. It tells you where its people come from and where they are going.

It's been great to come to the U.S. and not have people judge me because of what they saw or heard when I was 16 and on a TV show. They're actually judging me on the fact that I can sing and how my personality is now. Which I think is great.

I think that I probably break on set more than I make other people break. I've realized recently that, in my everyday social life, I'm a very easygoing person, but when it comes to work, I'm pretty type - A. I'm very focused and I take it maybe too seriously sometimes. So, when I'm on set, even when there are really funny people that I'm in the scenes with, I'm generally good at not breaking too often.

I'm chasing a kind of language that can be unburdened by people's expectations. I think music is the primary model-how close can you get this language to be like music and communicate feeling at the base level in the same way a composition with no words communicates meaning? It might be impossible. Language is always burdened by thought. I'm just trying to get it so it can be like feeling.

Language and accents govern so much of how people think about other people.

AMANDA: I think very few people are completely normal really, deep down in their private lives.

Language helps develp life as surely as it reflects life. It is a most important part of our human condition.

I don't think there's anything wrong in being an entertainer because if at the end of the day people want to forget about their problems or to process their problems through something joyous, I think that's ultimately what my role in this is.

I think dialects should be left alone. People should write in whatever dialect they feel they want to write. In the fullness of time, these dialects will sort themselves out.

I am doing what I do [athletics] because the fans love it and it's a part of me, it's my personality. I think people come to see you run fast, but they also come to see a show, a performance. They want to see a personality, and that's what I give them.

Because of the movies I make, people get nervous. They think of me as difficult and angry. I am difficult and angry, but they don't expect a sense of humor. And the only thing that gets me through is a sense of humor.

I can be very polite, and I think that people can confuse that for all sorts of things... But I'll take that over people assuming that I'm smart just because I'm short and rude.

I just love thinking about what makes people tick

I think the artist has an ability to draw pictures for people to where they can process these messages that otherwise they wouldn't be open to hearing.

Not a time with him passed that I didn't say, "You should've been a comedian." [Vincent Price] was hilarious. He was just such a quick, funny wit. I don't think most people would think that about him, and it was really surprising to me. But man, the guy had a brilliant wit.

My Obama is getting pretty good ... I think I'll vote for whoever makes my portrayal easier. It takes time to put together a comic impression. It takes time to recognize the tics. Right now, for instance, I could do a dead- on Paul Ryan and people wouldn't recognize it. Personalities take a while to sin.

I'm shy. People get confused. They think as an actor you can get up and be confident on the screen. Why aren't you like this in normal life? Why can't you act in your social life? 'Because I can't!'

A lot of those people aren't their best salesmen. They're the opposite of a salesperson and I think there's something attractive about that.

I don't get a lot of "Hey, Harvard!" stuff. I think a lot of people who don't know me would be surprised to think that I went there. But no, I don't. You know, I'm from the Midwest, man - that shapes my personality much more than having gone to Harvard.

Some people think I'm mean, until they get to know me.

I think there's a million talented people out there, it's just a matter of luck a lot of the time. And good training, which we were lucky to have. And I think that's what people are curious about - other people, and what they're like.

It's entirely to do with personality, I think. There are good directors who talk a lot, bad directors who talk a lot, and good directors who don't say much and vice-versa. It just depends on whether people respond to that personality and whether people have a willingness to do something for them.

I think I've always had an activist stance, yet at the same time, the other side of me - and this is where some people just don't get it, or they'd prefer it if the work was a lot uglier, a lot louder - I have this personality where I just want to put something out that's a fact and then let you interpret it. It's almost as if you might barely notice it, you might walk right by it, but you have to pay attention.

Money makes people rich; it is a fallacy to think it makes them better, or even that it makes them worse. People are what they do, and what they leave behind.