Arundhati Bhattacharya Quotes

Although there are countless tangents that a career in the building arts can take, it is nonetheless most unusual for a major architectural practice to emerge once a firm's principals are well into what is loosely called middle age.

For the beginning of my career, I was always playing people younger than me.

It's been 35 years since I left school. Almost nine of them were in government; all the rest were in the private sector. And I've proven over time to be a great leader.

My kind of success has come a little bit later in life. I'm not 20 any more and these people I've been working with have been successful and good at what they do for a long time.

Don't you think it astonishing that, at 58, I am still working at improving my career?

Since first starting my career, I've grown accustomed to working with actors older than me. I'm always the youngest.

If you don't start your career until thirty, that still gives you thirty-five years to make it professionally. If you can't make it in thirty-five years, you weren't going to make it in forty or forty-five.

I've never had to deal with ageism - so far - in my career; I have been able to navigate my career and getting older and the roles and opportunities that have come to me.

The notion of 'building a career' had never been heard or dreamed of when I was young.

I think everyone at some point in their career would like the opportunity to go back to their alma mater, but from a timing standpoint, it's just never worked.

I just look back, and I say, you know, Christopher Guest just raised my whole career to another level.

I feel like I'm getting the best parts of my career, in my 50s.

I feel like if you're stuck doing the same thing your whole career you've got to be doing something wrong. Unless you're getting great results from it or you're just comfortable in that spot.

I started working as a kid doing dubbing, and then I started doing television when I was 11 or 12, and then movies, and I worked mostly in French, and then I started working in English, and then I moved to New York. So I think I managed to find a way to always make it a challenge for myself.

It was hard to know if anything, any one particular thing, increased my career or not.

I'm just confident about where my career is headed.

When I was at the 'Philadelphia Inquirer,' I was promoted nine times in my first 13 years. I ultimately went from general assignment to beats on St. Joe's and Temple, to backup writer, to NBA writer, to NBA columnist, to, ultimately, in 2003, to general sports columns.

After I graduated, I moved to Washington with a packed car and the promise of an eight-week internship at the Daily Caller. Things turned out well.

When you start out, you're hungry to take any job. I didn't go to film school - I went from high school to a show about high school and on to directing.

I am older than most of my on-screen colleagues, and the ones behind the scenes, too.

'Vikram Vedha' is special because it has taken me to the next level in my career.

For me, I'm smart enough and have been around the business long enough to know you don't really retire.

I always wanted to return to the company that gave me my first opportunity. Thanks to AAA, Rey Mysterio was born.

My career's had a lot of ups and downs. Once I started playing with John Peers in 2013, that gave me a huge lift, a lot of direction, which I needed.

It is all about the kind of experience you garner over the years, which tends to make a difference in the way you play at the top level.