Keira Knightley Quotes

My mother was a choreographer, so music has always been around.

I've always known actors because my parents are actors on stage and so I lived in a very creative environment when I was a kid. All my life.

It's funny, growing up there was never anybody around me with any kind of artistic bent.

I grew up writing. It was very natural in my household. My father was a poet, and his mother had been a novelist back in Hungary. I don't think I really thought about it being my career until high school, which is still pretty early, but it was a while there of just assuming this was something everyone did all day long.

I always wrote. My parents are writers. It just seemed like something people did.

I grew up in such a musical family, and my dad was the first chair in the Johannesburg Symphony Orchestra, and my mom was a piano teacher and a painter, so it was kind of a creative environment, and it was kind of in my DNA.

I grew up with an artist father, and my parents' friends were also mainly artists or writers, so he connects what I do with his example.

I come from a family rooted in the arts, so I think I naturally gravitated towards performing from an early age.

I grew up in a very visual household. My dad is a designer; my sister is a designer. My brother is an amazing architect who does music. But I think in the Chung household, how things looked was an important part of who you are.

I know what it's like to be brought up by actors and writers.

I was surrounded by art by virtue of not only the educational opportunities that my mother's foresight availed me to.

My parents were screenwriters, and they had four daughters and we all write. So that's amazing. Talk about powerful parents. My mother always said to us, "Everything is copy."

I arrived on earth in 1928. Born into a milieu of painters, I acquired my taste for painting with my mother's milk.

I cannot feel like a duchess in my mother’s sitting room.” “What do you feel like, then?” “Hmmm.” She took a sip of her tea. “Just Daphne Bridgerton, I suppose. It’s difficult to shed the surname in this clan. In spirit, that is.” “I hope that is a compliment,” Lady Bridgerton remarked. Daphne just smiled at her mother. “I shall never escape you, I’m afraid.” She turned to Gareth. “There is nothing like one’s family to make one feel like one has never grown up.

I was fortunate because I had parents who believed that being a writer was a perfectly acceptable thing to want to be. They'd actually hoped that I might be an artist, and I was lucky again to grow up with people who delighted in making things: my father wove baskets and painted furniture and carved wood figures; my mother quilted and embroidered and sewed.

I was sensitive to music and poetry, and it was around me growing up.

I was born in love with music. My mother is a singer, many of my aunts and uncles on my mother's side are musical, my grandparents sang and played blues piano. It's literally in my blood. My mother wrote an original song to teach me the days of the week.

A lot of women make choices based on how they saw their mother's choices working out, how they saw the choices of the women elders in their lives working out. There's some rebellion in that, but there's also some deep reflection.

I think a lot of the way that I try to write my stories come from watching my mom write plays and trying to do that.

I always wanted to write movies that I'd direct. I didn't come at it from a writing standpoint more than a directing standpoint, except that growing up, I didn't have the opportunity to shoot as much as I did to write.

My grandmother was determined that everyone feel a sense of optimism and opportunity. Marc and I want to make sure we're doing that. This period of our lives is not just a tribute to her, it's inspired by her. And it's for when we have our own children — I want to help make sure we've got a world I want them to live in.

I respect Donald Trump's children. His children are incredibly able and devoted, and I think that says a lot about Donald. I don't agree with nearly anything else he says or does, but I do respect that. And I think that is something that as a mother and a grandmother is very important to me.

As a child growing up among artists I learned to think of a picture not as a finished product exposed for the admiration of the virtuosi, but as the visible record, lying about the house, of an attempt to solve a definite problem in painting.

My mother was always the one with the dark, really filthy sense of humor. She was a vulgar woman. She used to tell me to do comedy before I even tried it. She was always up for any gag.

Parents rarely let go of their children, so children let go of them. They move on. They move away. The moments that used to define them - a mother's approval, a father's nod - are covered by moments of their own accomplishments. It is not until much later, as the skin sags and the heart weakens, that children understand; their stories, and all their accomplishments, sit atop the stories of their mothers and fathers, stones upon stones, beneath the waters of their lives.