Twiggy Quotes

I'm not really into cool tones personally.

Color is definitely an important factor for me during all phases of producing a cover. I always start out with a loose idea of what I want to see when I'm doing my initial sketches. This choice can be informed by anything, but I usually tend to lean toward more simple color schemes... something with a very obvious push between warms and cools.

I'm in love with red. I think it's such a passionate color. Every flag of every country pretty much has red it it. It's power, there's no fence sitting with red. Either you love it or you don't. I think its blood and strength and life. I do love red. I love all colors. Great shades of blue, you find them in nature. They're all magic.

I don't know if I have a favorite color.

Anyone can wear any color. The question is about finding the right shade. There is a momentary trend to dark colors because when the financials are not that great, people go for black, navy and grey.

My mum taught me that redheads shouldn't wear pink, red or orange, but if you choose the right shade, such as a bright orange or a cherry red, it can look fabulous.

Red's my favorite color.

As a little girl in the '50s, I couldn't wear a purple-and-white flowered skirt with a red blouse - those colors were too loud. My parents were not into that 'We are Negros that wear all beige,' but there was a line you could walk over that could signal vulgar, crass, rather than clever use of color. And that outfit crossed over the line.

Red, electric blue - the only color I don't wear is green, which I still don't wear. I wear certain color greens, but I have such yellow skin so I always like to wear bold colors.

In teaching color, you teach people how to look something and see the tone in it and break it down to be able to paint it and reproduce that color. But then, I'm psychedelic, so I look at color differently. I like colors that are in contrast with one another, so that they flicker back and forth.

I used to rely on black-and-white, and while I was working on 'Smile,' I learned to adapt to color on my end.

Color is a very personal thing. You need to make sure to choose a color that makes you happy. But I don't recommend accent walls - choose a color you can live with on all four walls.

In most scripts, one or two characters have a lot of colors.

You buy any book on color theory today, and it's just complete poppycock. Everybody comes out of school painting pink, purple and green. The whole damn cartoon industry has pink purple and green on their mind.

There are infinite shadings of light and shadows and colors... it's an extraordinarily subtle language. Figuring out how to speak that language is a lifetime job.

Color is a matter of taste and of sensitivity.

Color has always been important to me, ever since my first deluxe box of Crayolas.

It's a dirty little secret that I'm pretty self-conscious about coloring my own work. I just see so many people who love color more than me that I get freaked out every time I hit Photoshop. Black and white? I know exactly what to do, but color offers a million solutions to problems I don't even know exist.

Color is a big part of what I do. It's like music. There are only so many notes in the scale, but there are endless permutations; there's no limit to the number. Color on the walls or furniture can reflect back and distort the reality of the true colors of lipsticks and eye shadow.

I general don't color my stuff - I'm pretty horrible with color. Usually, I'll get one of my cartoonist friends to help me out.

Color is a very critical thing. I've found that architects don't like colors. Engineers too. And so somebody has to stand in. Because this is the finish of it. It is the emotional part of a structure.

Green is one of my favorite colors - emerald green.

If I decide to make a coat red in the show, it's not just red, I think: is it communist red? Is it cherry cordial? Is it ruby red? Or is it apple red? Or the big red balloon red?

Sunset is still my favorite color, and rainbow is second.

I don't like mixed colors that much, like plum color or deep, deep colors that are hard to define.