Warren Cuccurullo Quotes

We've been having a great time writing for other artists in and amongst making our Bastille albums and mixtapes.

And I had such a great working experience with Paul during the 'RAM' album.

That's the cool thing, when I get to work with people I love. The biggest has probably been Kris Kristofferson on 'Bloodworth.'

When you're an artist, you can only do your own stuff. Even if you only write for other people, you're really more focused on yourself. So while everybody's out touring, I'm working on records.

Mike Campbell and Don Henley and I wrote 'The Heart of the Matter,' which was a huge hit for Don.

I always say that I am very proud of the work that I did with the Rolling Stones and that I am also proud of what I have done with the Rhythm Kings.

Back in 1985, I was working on my third solo album when the band came to me and asked me to produce the next Fleetwood Mac project. At that point, I put aside my solo work - which was half finished - and committed myself for the next seventeen months to producing 'Tango in the Night.'

If you talk about the 'Tango in the Night' album, the reason I didn't do that tour was because the album took about 10 months, and it was such an uncreative atmosphere.

No matter what I'm doing for myself or someone else, I'm constantly writing and working on other people's albums.

I never stopped recording, but I went through a period where... The one thing that a lot of people don't know is that for as long as I've been as artist, I've been a writer and a producer.

As long as I can make albums, I will.

I'm getting in the studio with everybody I've always wanted to work with. That's the amazing thing.

I did a track with Khao, out of Atlanta, who's worked with T.I. Did a track with Maylay, who did a lot with John Legend's album. I got in the studio with Kanye West; we did a song. The dedication for the career takes a lot of work, but if you love it, it's worth it.

We spend more time on the road and when we cut an album, it'll take us as long as six months.

Well, Sean Paul we've always wanted to work with.

I keep reminding myself I'm the same guy who was lucky enough to get my break because Roger Daltrey commissioned me to write the songs for one of his earlier albums.

I work on music with different people, and I work on music on my own. That's my life.

I wrote a whole solo album and recorded some of it, even did a little tour with Sara Lee and Gail Ann Dorsey.

When we got with Dallas Austin, he was just getting on. He was kinda like the fourth member of TLC.

You should find the dopest producer in your area, and that producer is always going to want songs written to his beat.

I think a lot of the Mothers stuff that we recorded was written while we were on the road.

I don't intend to stop making music.

The best part of making music, for me, is collaborating and working with new people and fresh sounds and all those things that gets people excited to continue in this business that we all love so much.

I don't write all my stuff. Everybody always thinks that. But in just about every album I've ever had has been about 50-50 songs I've written or co-written and other people's songs.

It was kind of easier for me to do records that didn't take a year or two years of my life to write and to make.