Fran Lebowitz Quotes

From so much of this seriously-intended pornography there rises, even when it is lewdly or boisterously comic, the acrid smell, unmistakable, of self-dislike.

Though both erotica and pornography refer to verbal or pictorial representations of sexual behavior, they are as different as a room with doors open and one with doors locked. The first might be a home, but the second could only be a prison.

Writers have problems writing sex scenes, because writing one really well is pornography.

My introduction to the Brady book was an attempt to nail the exact same idea since Brady addressed the point. And since I write pornography, naturally, something of an obsession for me.

I think it's common sense to shy away from the erotic. Perhaps this grand experiment, which started with Lady Chatterley's Lover, of seeing what you can write and how you can write about sex, has reached a certain weary terminus with Fifty Shades of Grey.

Pornography is about dominance. Erotica is about mutuality.

Writing is a trade ... which is learned by writing.

You don’t have the slightest idea of what it means to write a scene and a character in the English language, with images and words chock full of received meaning.

The mental state I'm in is completely different, but the act of trying to write is the same. I mean, in all instances you try to write good sentences. But in a novel you're free to do whatever you want, and in the autobiographical works you can't make things up.

Erotica is using a feather; pornograpy is using the whole chicken.

Some writing courses will advise you to write what you know. I've always thought this is very odd advice ... because it means, for example, that I should not be writing about Nicholas Flamel, because I didn't live in France in the 15th Century, I was not an alchemyst, am not immortal (despite the rumours) and do not know magic.

I thought, if I write a book that is not a retelling of Pride and Prejudice, it's not going to mean that I will not get any criticism. I might as well write the book that I want to write.

Be critical of but not brutal with your writing. If something isn't essential, get rid of it. Remember that good dialogue can serve a whole passel of purposes in your novel, and to overlook one of them is to overlook one of the tools of the craft. Like hitting a nail with a screwdriver, if you know what I mean.

Writing ... is a profession that can only be learned by writing.

Since the point of erotica is to offer the consumer sexual experiences without having to compromise with the demands of the other sex, it is a window into each sex's unalloyed desires. Pornography for men is visual, anatomical, impulsive, floridly promiscuous and devoid of context and character. Erotica for women is far more likely to be verbal, psychological, reflective, serially monogamous and rich in context and character. Men fantasise about copulating with bodies; women fantasise about making love to people.

If there is a magic in story writing, and I am convinced that there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes but by no means always find the way to do it.

I've always liked to write, but I never thought I could make a career out of it. I went to business school because in the '80, it was the thing to do. I thought that marketing was a way to be creative in business, but quickly learned all creative stuff happens at the ad agency.

So many people in the Western World are just automatically made ill by any sort of frank writing about sexual matters.

Copywriters, journalists, mainstream authors, ghostwriters, bloggers and advertising creatives have as much right to think of themselves as good writers as academics, poets, or literary novelists.

Most writers in Mexico have had posts as ambassadors, secretaries - that is no longer the case. Now a writer can live off writing. He has an audience: there are publishing houses, there are newspapers - so the situation is not as terrible as it used to be when there were no means and he had to go into government service, be an ambassador or a cabinet minister, etc. So, things are changing in the sense that the civil society is now the protagonist. The writer therefore occupies a different position, but no less influential than in the past, in a new, democratic society.

The only rule I have when writing is to try to tell the truth. That doesn't mean you can't exaggerate, edit, rewrite things to make them more dramatic. But emotional truth is what I look for in writing.

I detest professional anythings but particularly professional writers. Most of them today are just garbage collectors.

Wrote my first "novel" when I was six. Studied a bit in college, but then pursued history... But when I started writing professionally, it was mostly learn as you go.

Don't look back until you've written an entire draft, just begin each day from the last sentence you wrote the preceeding day. This prevents those cringing feelings, and means that you have a substantial body of work before you get down to the real work which is all in . . . The edit.

I'm a writer who never writes about sex. It's so far from my own fictional world.