Charlotte Bronte Quotes

I know some people are like, 'I'm depressed, and I'm a struggling artist,' and that really works for some people, but that doesn't work for me. I have to be really happy, even when I'm writing my depressing songs; I have to come through that stage before I can write.

You have to deal with your emotions and not spike too much on the graph - not get too elated with the highs or too down with the lows.

Writing, for me, is very inspiration-dependent. And inspiration can be a jerk.

The key to success is emotional stability.

To me it comes naturally, the peaks and valleys, sadness with happiness. I've definitely had periods, maybe, where I haven't been happy. Whether it's from a breakup or the good, old-fashioned blues - but I wouldn't say clinically depressed.

Depression is the flip side of creative inspiration but it can be useful. It's telling you to stop for a little bit. You can become so fully absorbed in the world of creative work that it can lead to some imbalance in your life.

For an artist to do creative work, he needs at once physical health and some physiomental ill health. He needs both serenity and gloom.

I like to be sad once in a while. You need it for your equilibrium.

As artists, we are so not in control most of the time of the content or the narrative of our characters, and sometimes writing takes a turn and it's not something we necessarily have control over. It's just a lot of random dumb luck, so when things click, you've just got to enjoy it.

Sometimes I can see the whole painting from the outset in my mind's eye. But more often than not, that idea doesn't last the duration of the painting. Sometimes it comes out easy, just as I had envisaged. But that is reasonably rare.

Artwork is not like a commercial business; there is no such thing as a schedule for art. You can't hurry art.

I usually write when I'm in a great place. When I'm depressed, I don't usually write. So I take all of when I'm depressed and throw it into when I'm feeling good. Weird, I guess.

Some days you feel like this is really going well. You can tell. Other days, you're just drawing like a farmer and you don't know why.

Anxiety is the handmaiden of creativity.

I used to be on the kitchen floor, crying, wasted and thinking of lyrics. That was the only way I could create - as a tortured artist. I've learned that you can be stable and taking care of yourself and still create beautiful work.

A lot of me is very up, and you have to have light and shade. They are both important and you have to be able to balance them. You have to admit that sadness is part of you and that it enriches you. I use it in my work.

I often start writing in order to excite an expansive emotion.

There's this element of surprise when you're writing songs, like it's something outside of you that you get to be part of. And it's just exciting. And that's why I keep writing - because I like that feeling.

You write five different things, and none of them work, and then suddenly something does, and you ask yourself, 'Why did that last one work?' I think that's the way the artistic mind works. All writers and artists of all kinds often don't know why things work.

Sadness is a very interesting idea, this idea of sadness being some kind of default setting that artists will go into. And then I started thinking about this idea of sadness and happiness, and the idea that sadness is very loud, and happiness is quiet.

I think we have a creative impulse where suffering can magnify our work, but so can joy. You can be in love and write the greatest love song ever. Sometimes I think too much suffering makes it difficult to do one's work.

You're in good spirits when you create and produce great music. All situations inspire music in different ways, man, from good situations, bad situations, depression, falling in love, falling out of love. I've been going through all those type of things.

I learned that creativity is all about being frustrated.

I need a consistency of my moods if there is to be any consistency in my style. I can't attempt to write always in the hollow flux of desperation and incipient terror.

I'm calm some days, sweet some days.