Robert Loggia Quotes

And I took a long time to appreciate Lynch.

You can be sure that they'll be showing 'Ben-Hur' somewhere for a long, long time to come.

I would have loved to have been in the room with the ABC executives when they watched David Lynch's 'Mulholland Drive' TV pilot. You know that had to be a long silence after that thing stopped.

The best music of any era lasts well, I think.

All my books take a long time to research. I spend several months researching before I start writing, and in the middle of writing I often have to stop and look up stuff. At my local library, I am one of the best customers! The research takes several months.

Television used to be made much more in a vacuum; the only feedback the audience had for a long time was in a Nielsen number that would arrive sometime after the show had been broadcast. And now, people are just completely engaged on so many levels, and I think that you have to find a way as a show creator to follow your own compass.

I want to be like Tom Cruise from 'The Outsiders' and go on and do amazing movies for a long time.

I was in the doldrums for a while after my athletics career ended in 1992. I spent six to eight hours a day training, for 18 years, and it took a long time to get over the regret that I wasn't competing in major championships any more. All I ever wanted to be was the best. But I find new projects and I keep things in perspective.

Steven Spielberg is unique. I feel that the kinds of movies he loves are the same kinds of movies that the big mass audience loves. He's very fortunate because he can do the things he naturally likes the best, and he's been very successful.

Eddie Murphy was my guy for a long time. My first exposure to 'SNL' was his 'Best Of' VHS, and I would watch it over and over again. He was one of the few people on the show to play with the live elements and engage with the audience.

If there is a public perception at all, they see the producer as a big old guy who smokes a cigar and has lots of money and lots of power. That's not what a producer is and, if it ever was what a producer was, it certainly hasn't been for a long time.

I really believe in myself. I'm the hardest worker I know, and one of the best songwriters. There's a craft to it, and it takes a long time to hone it, and I work really hard at it.

I want to work for a long, long time and keep growing in my work, and if I am very lucky and very blessed, maybe somewhere along the line there will be one movie in there that becomes a classic.

For me, Fellini was like a watermelon. It is there. A watermelon cannot die.

For a long time now I have tried simply to write the best I can. Sometimes I have good luck and write better than I can.

Any actor working a long time should know how a shot is set up, where to place themselves, how to handle the lines. I'm a member of the crew, like the best boy, the electrician. What I'm good at is making eyes at the camera.

I've been around a long time, and when I was at the top of the hill, I was very ahead of my time! Evidence of that is that my music is still current today - you know, rappers sample it all the time. So, rather than compromise my artistic integrity, I concentrated on movies.

The idea of trying to create things that last - forever knowledge - has guided my work for a long time now.

I think the ultimate thing in some ways for any writer is to work on a character who's going to have a life for a long time.

It sucks to be the runner-up because I've been the runner-up for a long time in my career. I would get so close and then lose a huge movie and sometimes it's one kid who beats you out for three different movies. It's so frustrating at the time, but what's so great is the lesson you take from that, which is, 'I've got to get better.'

I have for a long time loved fabulist, imaginative fiction, such as the writing of Italo Calvino, Jose Saramago, Michael Bulgakov, and Salman Rushdie. I also like the magic realist writers, such as Borges and Marquez, and feel that interesting truths can be learned about our world by exploring highly distorted worlds.

A defining moment takes a long time to get over, if you ever do.

You've got to believe as a filmmaker that if a movie's good enough, it's going to survive; and if it's not, well, it won't.

With some artists, I've noticed that after their songs have been licensed, on their next album you can totally hear they're trying to write a song for 'Grey's Anatomy' and it doesn't work. It's just one of those things that has to feel genuine to last a long time.

I've had nine of my books adapted to film, and almost all were enjoyable. I've been very lucky with Hollywood, and look forward to more movies being adapted. But I don't get involved in that process. I know nothing about making movies and I stay away from it and hope for the best.