Julien Baker Quotes

I enjoy playing the band as the band. I 'be' the whole band and I'm playing the drums, I'm playing the guitar, I'm playing the saxophone. To me, the most wonderful thing about playing music is that.

I've never, ever in my life enjoyed playing live the way I am now.

The lead guitar work is a bit repetitious, but when a song is under two minutes long, I don't have much room anyway. Thank goodness. But I've always contributed guitar parts to every band I've ever been in, so I'll always play the axe.

You've got to learn your instrument. Then, you practice, practice, practice. And then, when you finally get up there on the bandstand, forget all that and just wail.

In all of my years in this business, I've always been part of either a progressive band or a metal band.

In 'Boondien' I worked with a band where everyone had their own instrument to play.

I wasn't taken seriously being the only girl playing in band growing up.

I didn't always enjoy playing music with the Trees.

The Manchester music scene was very male dominated.

When you're in a band and you're a girl, you know, guys just don't ... it's not the same kind of a groove as a girl walking up wearing a mac with nothing on underneath, or knocking on someone's door at three in the morning.

Just as long as newspapers and magazines are controlled by men, every woman upon them must write articles which are reflections of men's ideas. As long as that continues, women's ideas and deepest convictions will never get before the public.

Politics is still the man's game. The women are allowed to do the chores, the dirty work, and now and then--but only occasionally--one is present at some secret conference or other. But it's not the rule. They can go out and get the vote, if they can and will; they can collect money, they can be grateful for being permitted to work. But that is all.

I soon began to sense a fundamental perceptual difficulty among male scholars (and some female ones) for which 'sexism' is too facile a term. It is really an intellectual defect, which might be termed 'patrivincialism' or patrochialism': the assumption that women are a subgroup, that men's culture is the 'real' world, that patriarchy is equivalent to culture and culture to patriarchy, that the 'great' or 'liberalizing' periods of history have been the same for women as for men.

I immediately noticed there were far more male characters than female characters in the programs, even now, in the 21st century.

All history attests that man has subjected woman to his will, used her as a means to promote his selfish gratification, to minister to his sensual pleasures, to be instrumental in promoting his comfort; but never has he desired to elevate her to that rank she was created to fill. He has done all he could to debase and enslave her mind; and now he looks triumphantly on the ruin he has wrought, and say, the being he has thus deeply injured is his inferior.

Put any woman in an area run mostly by men and rumors will fly. Unless you make it very clear that you are off limits, there is also a certain competitiveness that sets in. Some men are either trying to run you out of town or get into your pants. They don't seem to know any other way to deal with a woman. If you're not a sexual object, you're a threat.

In many patriarchies, language, as well as cultural tradition, reserve the human condition for the male. With the Indo-European languages this is a nearly inescapable habit of mind, for despite all the customary pretense that 'man' and 'humanity' are terms which apply equally to both sexes, the fact is hardly obscured that in practice, general application favors the male far more often than the female as referent, or even sole referent, for such designations.

I know that women in the music industry get treated a lot differently than men. I've seen it firsthand with somebody in particular, where it's almost that men like to treat women in the music industry like they can't make their own decisions.

I wish I could play music. I think I get as closeas possible with the editing of the films. Over the years musichas been an even more important influence than-or as important as-film.There's no doubt about it. Painting, movement, dance, sculpture-it'sall in cinema.

The biggest obstacle I've had to overcome is being a woman in a man's world.

I have been envious of male characteristics, if not the men themselves. I'm jealous of the ease with which they seem to inhabit their professional pursuits: the lack of apologizing, of bending over backward to make sure the people around them are comfortable with what they're trying to do. The fact that they are so often free of the people-pleasing instincts I have considered to be a curse of my female existence.

Women are cursed, and men are the proof.

I play music - I write my own music, but I play music, just background music really, and just let it happen.

Ten minutes? That's the women. It's not for the men; not for the real game, mate.