CHARLIE PARKER

They teach you there's a boundary line to music. But, man, there's no boundary line to art.

Don't play the saxophone. Let it play you.

If you don't live it, it won't come out your horn.

You've got to learn your instrument. Then, you practice, practice, practice. And then, when you finally get up there on the bandstand, forget all that and just wail.

I realized by using the high notes of the chords as a melodic line, and by the right harmonic progression, I could play what I heard inside me. That's when I was born.

Music is your own experience, your own thoughts, your wisdom. If you don't live it, it won't come out of your horn. They teach you there's a boundary line to music. But, man, there's no boundary line to art.

One time, when I was in my teens, jamming in a Kansas City club, I was doing all right until I tried doing double tempo on 'Body and Soul.' Everybody fell out laughing. I went home and cried and didn't want to play again for three months.

I became bitter, hard, cold. I was always on a panic - couldn't buy clothes or a good place to live.

I could hear it sometimes, but I couldn't play it. I'd been getting bored with the stereotyped changes that were being used. I found that by using the higher intervals of a chord as a melody line and backing them with related changes, I could play the thing I'd been hearing.

I put quite a bit of study into the horn, that's true. In fact, the neighbors threatened to ask my mother to move once, you know.

Every time I hear a recording I've made, I hear all kinds of things I could improve or things I should have done. There's always so much more to be done in music. It's so vast.

Ever since I've ever heard music, I thought it should be very clean, very precise - as clean as possible, anyway, and more or less tuned to people. Something they could understand, something that was beautiful, you know?

If you come on a band tense, you're going to play tense. If you come a little bit foolish, act just a little bit foolish, and let yourself go, better ideas will come.

Definitely, study is absolutely necessary in all forms - it's just like any talent that's born within somebody. It's just like a good pair of shoes when you put a shine on it, you know? Like, schooling brings out the polish of any talent. It happens anywhere in the world.

Music is basically melody, harmony, and rhythm. But people can do much more with music than that. It can be very descriptive in all kinds of ways, all walks of life.

Music is your own experience, your own thoughts, your wisdom.

Some guys said 'Here's bop!' Wham! They said, 'Here's something we can make money on!' Wham! 'Here's a comedian!' Wham! Here's a guy who talks funny talk!'

Bop is no love-child of jazz.

I'd been getting bored with the stereotyped changes (harmonies) that were being used all the time. I found that by using the higher intervals of a chord as a melody line and backing them with appropriately related changes I could play the thing I'd been hearing. I came alive.

I kept thinking there's bound to be something else? I could hear it sometimes, but I couldn't play it.

I'm very glad to have met you. I like your playing very much.

Any musician who says he is playing better either on tea, the needle, or when he is juiced, is a plain, straight liar. When I get too much to drink, I can't even finger well, let alone play decent ideas. You can miss the most important years of your life, the years of possible creation.

Man, there's no boundary line to art!

When I first heard music, I thought it should be very clean, very precise. Something that people could understand, something that was beautiful.

It's just music. It's playing clean and looking for the pretty notes.