Mark Lilla Quotes

Islam was Europe's teacher. From the eighth to the 12th centuries.

Europe and European identity is rooted in Christianity.

The union of the Roman empire was dissolved; its genius was humbled in the dust; and armies of unknown barbarians, issuing from the frozen regions of the North, had established their victorious reign over the fairest provinces of Europe and Africa.

Renaissance or the reawakening of Europe. And, and this reawakening actually involved an era during which the people of Europe, who were coming out of the Dark Ages, were then adopting the value system of the people in the East, in the, of the oriental society.

I used to ask myself why American universities are financed through endowments. Now I know: During the early days of America, the state was poor and when citizens wanted to set something up, they needed to collect money themselves. Historically, this was different in Europe. There used to be a strong state, a monarch or a king. He provided money.

The process of which I am speaking is nothing less than a conservative revolution on such a scale as the history of Europe has never known. Its object is form, a new German reality, in which the whole nation will share.

Let us assume that the Turks in whose ranks Europeans were fighting as well, even in high positions, would have conquered Vienna and Europe in 1683 instead of having been forced to withdraw. If the Mohammedans would have gained the victory at the time and Islam would have swept victoriously over Europe, then the Christian churches would have been depoliticized. (...) For the Turks were religiously tolerant, they allowed each religion to continue to exist, provided it was no longer involved in politics - otherwise it was finished.

Apollo without Dionysus may indeed be a well-informed, good citizen but he's a dull fellow. He may even be 'cultured,' in the sense one often gets from traditionalist writings in education. . . . But without Dionysus he will never make and remake a culture.

Writing is a strong easement for perplexity. My life is a map, spread out with all the rivers and hills showing.

[You write out of the] desire to seem clever, to be talked about, to be remembered after death, etc., etc., etc. It is humbug to pretend this is not a motive and a strong one.

One of the things that I learned in television, and one of the beauties of television, is that, if you have a strong writing staff, they rely on you just as much as you rely on them. They look to me or the other actors to help inspire them to take the character in interesting directions.

I can't begin to predict how news will be delivered to readers in, say, 100 years. But I do know one thing that hasn't changed: Whatever the delivery system, whether it's a magazine, book or blog, people like vivid writing, strong stories and credible people. So while the venue is changing rapidly, human nature isn't, which I find soothing.

My "drop in the ocean" will contribute to the enlightenment of Europe, so to speak.

The Cold War began with the division of Europe. It can only end when Europe is whole.

That grand drama in a hundred acts, which is reserved for the next two centuries of Europe-the most terrible, most questionable and perhaps also the most hopeful of all dramas.

At the root of the assault on our liberties is, in fact, an assault on our character--an assault that assumes that we are not good enough to be free, and that aims to make sure that we are no longer strong enough, courageous enough, disciplined enough to be a free people.

Historians will consider this a dark age. Science historians can read Galileos technical correspondence from the 1590s but not Marvin Minskys from the 1960s.

My contention is that if you trace it back, it was the people of the East who brought them out of the Dark Ages, who brought about the period, or ushered in or initiated the atmosphere that brought into Europe the period known as the Renaissance.

I am a strong believer that as one moves toward the future, the strongest and clearest way to do it is if you have a good sense of your past. You cannot have a very tall tree without deep roots.

Two World Wars are sufficient and we are the ones who supported this notion of a united Europe, so there would never be another set of civil wars in Europe again, ever. That was a fabulous success. It was so fabulous that people now take it for granted.

Maybe I'm perverse, but the question of "rooting" for a character, or setting out to write a character for whom other people will root, has never had anything to do with why I read or write fiction. As long as the writing and story remain alive, intense, invigorating, provoking, the characters can be as demonic or saintly as the author wants.

At the beginning of the project, I wasn't certain that I could come up with an engaging storyline and cast of characters in this world, so I had a strong bias toward actually writing, and worrying about research later. In other words, I was afraid that I'd devote a year or two of my life to grinding through Kant and Husserl, then discover that there simply was no novel to be written here.

I like to borrow a metaphor from the great poet and mystic Rumi who talks about living like a drawing compass. One leg of the compass is static. It is fixed and rooted in a certain spot. Meanwhile, the other leg draws a huge wide circle around the first one, constantly moving. Just like that, one part of my writing is based in Istanbul. It has strong local roots. Yet at the same time the other part travels the whole wide world, feeling connected to several cities, cultures, and peoples.

Culture has become one of the last elements of our identity. We have to act in favor of cultural diversity abroad as well as at home, we need strong cultural diplomacy but we have to create it.

You have weak artificial intelligence, which is a robot or a computer system that follows a list of protocols and it's like yes/no answers that can be as complex as you want, and then you have strong A.I., which is basically like a human, like something that can think up a thought that's never been thought up or paint a painting or write a poem.