Maria Semple Quotes

My most successful books, the ones that I feel the strongest about, are the ones that started with a premise that for me was deeply emotional.

It is very enjoyable, writing a story. You get this idea. It takes hold of you. And then you spend day and night thinking about how to do it. And then you do it. And much later, you think, 'Oh, yes. That's an interesting question.'

My novels come from within me; they are things I feel I want to do.

I write characters and stories that move me, and I write from the heart.

I enjoyed writing 'Tashan' very much.

A novel usually begins, in my experience, with a thought or image that won't leave me alone.

For me, inspiration isn't a sort of spark which lights the fire of the story. It's more like a thread, one of many, which you can tease out of a story once it's written, if you feel so inclined.

And once I know what the first page is, then the rest will come.

I throw everything I have into whatever story I'm writing - and so there's something immensely gratifying about finishing one piece and then starting fresh with a new setting, time period and cast of characters, getting to see the world through a completely different lens each time.

I like to sit down every day and not know where the book is going. I have no idea where the book is going to go or how it's going to end as I'm writing it.

I always say that, for me, writing a book is like a wacky Greyhound bus trip - I know where I'm starting and where I'll end up, but I have no idea what will happen along the way.

I have every sympathy for writers. It's a mystery to me what they do. I can edit. I can cross out and say, 'I'm not saying that' or, 'How about we move this to here? Wouldn't that make that bit of the story better?' But where any of it comes from is beyond me. I will never write a play or a novel.

If I had a plot that was all set in advance, why would I want go through the agony of writing the novel? A novel is a kind of exploration and discovery, for me at any rate.

Writing 'when you find me,' it really exposed me to a way of putting together a story I hadn't thought of.

What surprised me most while writing 'The Monogram Murders' was that everything I needed seemed to arrive in my head exactly when I needed it.

Writing is a mysterious process, and many ideas come from deep within the imagination, so it's very hard to say how characters come about. Mostly, they just happen.

For years, I sort of would try to write a story that somehow fit the title. And I don't think it happened for maybe another four years that I actually thought of a story, the plot of a story that corresponded to that phrase.

Writing is a lot of fun for me; that's not to say it's easy, but I really do enjoy it.

I started writing morning pages just to keep my hand in, you know, just because I was a writer and I didn't know what else to do but write. And then one day as I was writing, a character came sort of strolling in and I realized, Oh my God, I don't have to be just a screenwriter. I can write novels.

The process of writing a novel begins with a pang, a moment of recognition, and a situation, a character, or something you read in a paper, that seems to go off, like a solar flare inside your head.

I've lost much of my heart and the spark or fire that once 'created,' or produced, the art of fiction.

If you're writing a novel, you're in a room for three or four years. There's not much coming in from the outside.

When I sit down to write, I don't think about writing about an idea or a given message. I just try to write a story which is hard enough.

From the beginning, when I first got an idea for a story and wondered if I could write it, it has always been the story that has driven me.

If I knew a story page by page before I started writing it, I just wouldn't do it. The process of discovery is really important for my own enjoyment.