Marcello Giordani Quotes

I don't push my voice; I try to keep a good technique, a natural way of singing, to sing from the breath, which is the main thing.

I was really sickened with people passing on comments that I have nasal touch while singing. Naturally, when anyone sings with high-pitched octaves, some notes may slight get in touch modalities with nasal, and that doesn't actually mean 'nasal singing.'

When I had my first voice lesson I was 15 years old. And I had a really good teacher. This is what made all the difference. A good teacher will teach you the technique, but also how to listen to your voice.

With classical singing you have to put out so much air - you project, you emit force.

If you've got a good vibrato, you can get away with a lot.

You do have to be a bit careful with your voice. It is an instrument.

Speech lessons probably did more for my singing voice - they teach you breathing, resonance.

And singing is a physical thing - your vocal cords are these muscles.

It takes a big voice a long time to develop properly; the bigger it is, the harder it is to develop the technique.

As luck would have it, my voice is best when it's kind of blown out.

There are some sounds that English singers find quite difficult to manipulate.

My own singing voice is not very good and I don't think that anybody really sings in their own voice.

Someone told me that you could learn to sing, and that there are muscles that if you build, you will sing.

I know how to treat my voice to make it sound as good as it possibly can - which is still not that good.

Vocally, I have learned to find my strength, and my voice has developed a lot since 'Be Here.' I learned to sing with all of my body.

You know, your speaking voice comes back, but your singing voice you use in a different way.

When I sing full-on I use my whole body. I open my throat and let it fly out.

The voice is an instrument that you really must take time to develop. It's like a good red wine Give it time.

I work on my voice through what I have to sing.

Everybody sings from their diaphragm.

You have to contort your body in a certain way to hit a low note. When you're on film, you can't. So you do, in a sense, get to hide behind your voice, which is nice.

It's very much like opera singers. They do the same thing. The first thing in the morning and the last thing at night, the thing they think about is their voice and how to take care of it.

I bark my voice out through a closed throat, pretty much. It's more, perhaps, like a dog in some ways. It does have its limitations, but I'm learning different ways to keep it alive.

I am still working on developing my voice. I am, I know, better as a coloratura singer than I was. It's a matter of strong breath control and yet making it sound as though it is the easiest thing in the world.

For singers, our singing voice is our natural voice, not the speaking.