Lin-Manuel Miranda Quotes

Filmmaking is essentially about entertainment, but it's amazing to realize that it has this other muscle that could actually help. Do you know what I mean? People permit entertainment to wash over them, but every once and a while, entertainment - and this is entertaining - also galvanizes something else and that would be a really good thing to have happen in this case.

And the people listened, and their faces were quiet with listening. The story tellers, gathering attention into their tales, spoke in great rhythms, spoke in great words because the tales were great, and the listeners became great through them.

I enjoy the making of the film and it's something for me to do. If nobody ever comes to my films, if people don't want to give me money to make films, that will stop me. But as long as people come all over the world and I have an audience and I have ideas for films, I will do them for as long as I enjoy the process. And I like the whole process of making a film.

This is what I love to do. I love to perform for people that get it or just want something interesting.

We, as film-makers, are privileged. We can make people cry or laugh. We can make them think and feel. It is a great privilege and a great responsibility.

The thing I love most about being famous is people listening to me when I have something important to say.

More than anything, I want to just have the largest amount of people possible listening to my music. This is the biggest thing to me.

Most of the pleasure of making a book would go if it held nothing to be shared by other people. I would write for a few dozen people, and sometimes it seems that I do so, but I would not write for no-one.

I think cinema is better today that you can be more daring with what you do. If you do it well. With that comes a responsibility not to bore people with vulgarity and all that stuff. To know how to do it right, know how to lay it out there.

For me, it’s like playing the same instrument but in a different context. TV work – it’s really about getting it just right. You have a chance to try again if it’s not. Theatre is like playing a rock show. It doesn’t really matter if you make a tiny mistake. It’s the whole vibe and getting people to feel you. It’s about carrying the moment through all the way with you in an hour and 20 minutes of the narrative.

I am very interested in asking questions, and I am very interested in being involved in shows that ask people to think and feel.

Usually, there's a story I've told that leads up to why I'm singing the song. The whole concept of the show was about being authentic and connecting with these songs. The best way to do that was in a room with an audience and for people to listen to that.

There's plenty of ways you can go and encourage people. And you should do that. But don't demonize what you do, I do, what other comics are doing, when you see people showing up and listening and responding because they've heard the messaging in the new kind of way.

All I've ever wanted to do is entertain people - make them laugh, think, smile, feel creeped out or scared; whatever it is. I'm getting the opportunity to do that in various roles.

It's becoming clear that the world is listening, so now we're trying to get new groups of people talking.

The type of person that might thrive on Vine in a six-second clip might not be the same kind of entertainer who would shine on a 10-minute vlog on YouTube. If anything, having these different platforms gives more people a chance to creatively express themselves.

As soon as one of my records goes on, it makes a vast portion of the public nervous. They get spooked by it. To some people who have ears to hear, it's a delightful, refreshing change. But to most of the public, it's a load of homemade-sounding nonsense.

For me, a story's a story if people want to hear it; it's very much based on oral storytelling. And for me, a story is a story when people give me the privilege of listening when I'm speaking it out loud.

Entertainment was transportation. You were supposed to take somebody out of their seat and bring them back in. You’re not supposed to impose your values or your supposed knowledge to manipulate or control people. That was not your job. You were not supposed to use the bully pulpit of Hollywood to pound people with ideas. You’re there to entertain.

What drives me is what I'm putting out into the world, and I like to make films that people can connect to, or they can escape in.

I think the podcast is a way to keep working out, essentially. You can keep being creative on your own schedule, without having to book a gig. It's been a great way to connect to people, especially realizing there is an audience listening. They generally gravitate to my sensibility. I love it.

I knew it straight away when Twitter first came around, and also Facebook, where it was so easy to post, that this was another way to speak directly with people listening to my music. If they found my music and they like it, most likely they want to hear more from me and hear what I'm about. I've put an enormous amount of time into that and it's played out well for me.

When I performed the songs in front of an audience at the end of each project and I knew the storytellers were in the crowd listening, that was hard.

At the end of the day, regardless of whether you're doing a huge budget film or a small budget film, you still want the film to do well, and have people see it. That's the whole point. You want to put some kind of message into your films, and you want people to see it.

I'm not presumptuous enough to feel that people are going to feel what I have in mind, so I tell a story, you know, let them read something, that doesn't change, that as I have said it, you know, so that's the way I feel about the viewer, the viewer has a mind of their own and eyes of their own and they're going to see it their way, I just hope they look.