Alex Graves Quotes

I tend to have a hard time working on pieces long before they're due. That's why I think the fact that I write a column is really good for me - the column has to be done, and there's no getting around it.

I don't keep a diary or a journal. Sometimes I'll send emails to friends and that's a way of recording what I was thinking at any given time. But I've never been a journal keeper. I feel like part of that is because I'm always on deadline. I've been a freelancer my entire career and, at any given time, I have several deadlines for all sorts of things whether it's some magazine piece or ad copywriting or anything. Obviously, people with deadlines keep journals all the time but, for me, the idea of doing more writing is never appealing. It's why I never blog.

There comes a point at which you stop writing and think all the more

You should have some time to think and that's very important.

The actual writing time is a lot shorter than the thinking time.

When you're writing, at least when I'm writing, I don't think about themes and I try not to sermonize with any particular message.

a writer doesn't only need the time when he's actually writing - he or she has got to have time to think and time just to let things work out. Nothing is worse for this than society. Nothing is worse for this than the abrasive, if enjoyable, effect of other people.

I stand by the Lost finale. It's the story that we wanted to tell, and we told it. No excuses. No apologies. I look back on it as fondly as I look back on the process of writing the whole show. And while I'll always care what you think, I can't be a slave to it anymore. Here's why: I did it for me. I liked it. I was good at it. And I was really … I was alive.

In general, I feel, or I have come to feel, that the richest writing comes not from the people who dedicate themselves to writing alone. I know this is contradicted again and again but I continue to feel it. They don't, of course, write as much, or as fast, but I think it is riper and more satisfying when it does come. One of the difficulties of writing or doing any kind of creative work in America seems to me to be that we put such stress on production and material results. We put a time pressure and a mass pressure on creative work which are meaningless and infantile in that field.

I don't think that any scene [in Pineapple Express] is word for word how you'd find it in the script. Some of it was much more loose than others. The last scene with me, Danny [McBride] and James [Franko] in the diner - there was never even a script for that scene. Usually we write something, but for that scene we literally wrote nothing.

I've quit writing screenplay [adaptations]. It's too much work. I don't look at writing a novel as work, because I only have to please myself. I have a good time sitting here by myself, thinking up situations and characters, getting them to talk - it's so satisfying. But screenwriting's different. You might think you're writing for yourself, but there are too many other people to please.

I remember when I used to have actual time to write and now you don't have time and you just do it. I think it explains a lot about television.

My partner after Fred Freeman was Jerry Belson. And Jerry Belson, after I was doing so well writing situation comedy, said, this is not good enough. We got to create our own shows. I said, but we're very happy doing this. No, no, no, you got to get your own show. So he made me - and he and I created our own shows. And we actually - everything we created failed. "Hey, Landlord" was our first show - 99th in the ratings. But imagine this - it's a great reflection on the years.

For us, there's an inherent process when you're ending something to be thinking about the beginning, as writers.

I used to worry I was entirely uninteresting, but the truth is I think if my life was more exciting I'd never have any time to write.

One of the things about what . . . I do - writing plays - is that a poll is not taken before you say, Well, I'm going to write this because I think that you're going to like this and therefore you'll buy a ticket for this.

I think ultimately it's just time management. You're just doing a lot more stuff. You're doing the same stuff, you're writing and you're producing, but it just comes with a lot of other things. A lot of long term thinking and plotting things out for the future, bringing elements together. I have a lot of support.

I'll always write about what's going on in my life and the reason for that is it's not actually because I'm so fascinated with myself, it's because I can't think. I can't think like have thoughts in my head and think them through and come to a conclusion. It's like math for me.

I don't consciously try to take my readers on a journey as I don't really think about my readers when I'm writing. I just try to write what I feel passionately about, to tell a story down onto the page.

If I write songs and I think they sound good, then that's it. That's what I do. I'm not a technical musician, which is fine for rock and roll.

I think one of the reasons that I love the fans that have stuck around, because I really enjoy writing different kinds of songs. I don't know if I write them well or not, but I can write them.

I think there's something strange about writing a script I've written many, many scripts - dozens and dozens of scripts - and every time I start one, I think to myself: 'why in the world do I think I know how to do this?'

You've got to concentrate on the business of entertaining and writing songs. Always think different from the next person. Don't ever do a song as you heard somebody else do it.

I explained to Amazon that I don't like outlining or projecting what something's going to be. I like to allow a story to arise as I'm writing scripts. I find it horrible when I try to think of something for the plot without really being on the ground and seeing where it goes. I was really resistant to do the mini-bible. So I gave them something, but I really didn't want to do it that way.

I don't actually tend to do a lot of research when I'm writing. I do know because I think a lot of what I find you want to do with research is just confirming things you want to do. If the research contradicts what you want to do, you tend to go ahead and do it anyway.