David Fincher Quotes

I use myself for each part. Naturally, it's my body, it's my soul, it's my feelings. That's the only way I know how to work. I couldn't pretend.

I am pretty weird - as weird as in my videos. The only difference is Lilly is not a performer, and Superwoman is. So Superwoman is very fearless. You'll never see her nervous. You'll never see her sad. But Lilly is a human. She is the person behind Superwoman, who gets sad and tired sometimes.

'Grey's Anatomy,' that was a great show to be part of, but they work really long hours. They were all just really tired. Just worn out.

I am pretty expressive with my emotions. I don't think something and say something else. I don't know if it's something I should be proud of or to watch out for. Maybe I am not politically correct. I don't know if that's a crime.

Love is the great test of the human. The human is tested by our ability to withstand love. Love is so difficult, it is so challenging, it demands of us that we wreck it with ourselves. It demands of us an honesty that few of us could sustain.

Vulnerability sounds like truth and feels like courage.

Neither a person entirely broken nor one entirely whole can speak. In sorrow, pretend to be fearless. In happiness, tremble.

I am finding that vulnerability gives me great strength, because you're not hiding anymore. It's really about being a pioneer for myself, going into the places where I am not being taught. I have to teach myself.

I'm not this tough guy, I'm not this super hard person.

Do not apologize for crying. Without this emotion, we are only robots.

I'm just free. And I can express my sensuality. I can express my pain, vulnerability, my strength. All of those things. Because I had a sheltered upbringing doesn't mean I haven't been a woman. I'm a woman that has had life experiences.

The anger of slow, mild, loving people has a lasting quality that mere bad-tempered folk cannot understand.

You can't find intimacy - you can't find home - when you're always hiding behind masks. Intimacy requires a certain level of vulnerability. It requires a certain level of you exposing your fragmented, contradictory self to someone else. You running the risk of having your core self rejected and hurt and misunderstood.

If you do a fifteen hour day on a film, there's a lot of time standing around but at the end of that, you want to go home to your hotel room and have a bite to eat, watch a movie and go to bed.

I find it hard to express myself when writing from the f - - - heart or the a - , or wherever. It's just like anything, it's (easier) when you get used to it, but I've not done it. I was just a singer in a band.

Sometimes, being happy or being nice can leave me feeling a bit hung out to dry. Especially if everyone else who I'm around is way more guarded.

There were only so many ways a man‟s heart could break, and he had a feeling his couldn‟t survive another puncture.

It's so effortless to let my loneliness defeat me, make me mold myself to whatever would (in some way - but not wholly) relieve it. I must never forget it... I want sensuality and sensitivity, both... Let me never deny that... I want to err on the side of violence and excess, rather than to underfill my moments.

Vulnerability is a loaded word, and it can off-putting and terrifying to people. The best moment of my life (and by the way, this actually wasn’t a single moment) was when I realized that I no longer give a damn about what anybody thinks. What you'd talk about as vulnerability, I'd talk about as simply being true to yourself.

The whole point about vision is that it's very individual, it's very personal, and it has to be confessional. It has to be something which hurts - the pulling out of it and putting it on the page hurts. Art can be about the individual writer's response to his or her condition, and if that response comes out of a predigested belief about what the audience wants to hear about the writer's condition, then it has no truth, it has no validity. You either write with your own blood or nobody's. Otherwise it's just ink.

When you're kissing a woman and you want it to look realistic, you're thinking, 'Am I taking advantage of her? Is her boyfriend going to think I'm over-stepping the mark? Whereas when you are kissing a man, those thoughts don't cross your mind. I'm more scared of it looking false, so I went for it fully to make it look real and hopefully I've achieved that.

I'll cry at the end of the day, not with fresh makeup.

To be labeled as a strong woman when you feel vulnerable is a strange place to be, because then you're, like, "Oh, I have to be strong now. But I don't feel strong. I feel alienated. I feel isolated. I feel that things are very surreal, and they're not authentic, and this is all just very overwhelming."

I feel like myself, strong and weak at once - allowed, at least for a little while, to be both.

I guess this is what marriage is, or was, or could be. You drop the mask. You allow the fatigue in. You lean across and kiss the years because they're the things that matter.