Joseph Brodsky Quotes

I'm interested in people who find themselves in places, either of their choosing or not, and who are forced to decide how best to live there. That feeling of both citizenship and exile, of always being an expatriate - with all the attendant problems and complications and delight.

I'm stuck somewhere a small island in the middle of the Atlantic where I'm alone. Because in France, they're like, 'No, you're not like us, you're not a French guy.' And in America, they're like, 'You're not like us.' I'm really alone in my little thing.

My father is from Newark in Nottinghamshire and my mother is from the very north of Ireland. They've ended up in Scotland, where my father - well, both of them - will always be seen as having come from somewhere else.

Things started to get out of control when I began reading that I was a superstar.

I used to object to being called an Indian writer, and would always say I was a writer who happened to be an Indian, and who happened to write about Indians.

I knew that I would have to leave Venezuela in order to figure out who I was.

I'm a Mexican girl from California, and I never grew up thinking I could be in a Rodgers and Hammerstein musical. I didn't really see myself in that. Not that I didn't grow up loving Rodgers and Hammerstein, but I don't know - I just never put myself there.

I think that foreignness is always with you. Indeed, I find California more foreign to me the longer I live here. In thirty years of living here on and off, it hasn't lost anything of foreignness. If anything, it has gained.

I am fine with my books being categorized as African-American literature but I hope they are also considered Haitian-American literature and American literature. All of these things are part of who I am and what I write.

No, not under the vault of another sky, not under the shelter of other wings. I was with my people then, there where my people were doomed to be.

When we are young we do not look into mirrors. It is when we are old, concerned with our name, our legend, what our lives will mean to the future. We become vain with the names we own, our claims to have been the first eyes, the strongest army, the cleverest merchant. It is when he is old that Narcissus wants a graven image of himself.

I'm a refugee from the past, and like other refugees I go over the customs and habits of being I've left or been forced to leave behind me, and it all seems just as quaint, from here, and I am just as obsessive about it.

In all my stories and novels, no one ever escapes Louisiana. Maybe that is because my soul never left Louisiana, although my body did go to California.

Being an artist and having a following can be a very scary thing because idolization makes you question your inner role in the universe. A lot of people get caught up in this idea of, "Wow! This world does revolve around me," and it most certainly does not. It's the exact opposite; these people don't exist for you, you exist for them.

My starting point was the search for my identity in foreign places, in places where I am estranged from myself.

If you have to tell them who you are, you aren't anybody.

I've never not been famous.

The problem in narcissism is not the high ideals and ambitions, it's the difficulty one encounters when trying to give them body.

Remember that when you say "I will have non of this exile and this stranger for his face is not like my face and his speech is strange," you have denied America with that word.

I don't mean I'd mind being rich and famous. That's very much on my schedule, and someday I'll try to get around to it; but if it happens, I'd like to have my ego tagging along. I want to still be me when I wake up one fine morning and have breakfast at Tiffany's.

If the individuals who make up a group have personal egos, and their identities lie in these egos, then their egoic identities will shift to the group. It might look as if they are losing their personal egos, but the ego simply shifts to the group.

The books are the books, and a lot of the stuff is some version of your id or your ego.

Representation is very important to everyone, but especially to girls like me, and people like me, whether it be because of my body, because of my race, because of my skin color, because of my awkwardness or where I come from.

The first time I remember women reacting to me was when we were filming Hud in Texas. Women were literally trying to climb through the transoms at the motel where I stayed. At first, it's flattering to the ego. At first. Then you realize that they're mixing me up with the roles I play - characters created by writers who have nothing to do with who I am.

I was born in Honduras, that's where I was born. I live in California, where no matter what you say, you're Mexican. You understand that? It doesn't matter what you say. See - you don't understand that, white people, because wherever you go, you're white. You're here, you're white. You go to L. A., you're white. You go to Denver, you're white. You go to Miami, you're still white. In L. A. I'm a Mexican, In Florida, I'm a Cuban. In New York, I'm a Puerto Rican. And when I come to Canada and I find out I'm an Eskimo.