Jude Law Quotes

The most important thing for Quentin and the most important thing for me is to make the best film possible.

I love David Fincher - even though it was just two scenes, I loved the way we worked and could tell by the way he was shooting it that this was going to be an affective movie to say the least.

I've never had an issue with studios. I believe in them as true creative partners in the process.

'The Homesman' is my third collaboration with Tommy Lee Jones as director, and each time, I am aware of how fortunate I am.

I sign on to any project because of the director: because they won't change, and you've got to feel confident that you're in good hands, in their vision.

I just wanted to work with David Lynch.

I'll work with a director if I think I'm going to get into a comfortable situation, and if it's someone I respect and who respects me, even if they're not so well known. Movies are hard to make, and you have to work toward a common ethic and do your best.

I'd like to work with David Lynch again.

It's really hard as a screenwriter, you feel like you have a vision and then you turn it over to a director and you have to let it go.

No, United Artists was a very extraordinary organization, because once they had agreed on the director, they believed in letting him have his way. They trusted me, and that doesn't often happen.

I would love to direct a feature and have Robert Connolly produce it. That would be really fab.

We didn't care if we were well-liked as long as the movies were good. We served the movie - that was our master at Miramax. In our second incarnation, the movie is still the master but we're getting the same results in more subtle ways.

If I'm going to produce something, it's going to be with somebody I think is special. Once I go beyond a handful of directors, like Scorsese, there are very few I want to work with.

I'd love to venture into TV or do some gritty dramas - Guy Ritchie, that kind of thing.

There are lot of people I'd wanna work with, but Wes Anderson, I would just wanna sit down with the guy. If he would ever put me in one of his movies, that would be the end.

I am a huge fan of Quentin Tarantino, who takes time to figure out what his next movie is.

The Dardenne brothers do a movie almost every year, and they put everything together to have a comfort.

I love working with Bob Zemeckis. I think he's amazing and wonderful to work with.

I remember when I first met Katherine Bigelow for 'Zero Dark Thirty' - actually, we met for another movie, and that never got made, and then she called me and invited me to 'Zero Dark Thirty'.

Every film is a human encounter. It's people trying to collaborate and create something together.

I really want to work with Mike Leigh.

Abhishek Chaubey has been in my bucket list for a long time. When he approached me, I thought it's for a film he is producing, but I never expected my fourth film to be an Abhishek Chaubey film.

All great directors or anyone who has a strong vision like Scorsese needs to have a lot of support around them. I think from the very beginning - when we met each other - he realised he could trust me to do what was right for his movies.

When a director shifts gears as often as does Alejandro Gonzalez Inarritu, the man behind the emotionally rich debut film 'Amores Perros,' you may wonder if he knows what he wants.

The process of working with the second unit director and basically sharing your workload with another director is such an interesting, delicate thing - and entrusting that person with your vision and making sure that you are not adding a completely different aesthetic to the mix that you don't have to contend with in editing.