Rudyard Kipling Quotes

In the end, the art of hunger can be described as an existential art. It is a way of looking death in the face, and by death I mean death as we live it today: without God, without hope of salvation. Death as the abrupt and absurd end of life

When you don't believe in anything except not dying, you don't really believe in anything.

Well the deputy walks on hard nails and the preacher rides a mount, But nothing really matters much it's doom alone that counts.

You have to be very deep to be dead, he thought, and I'm not. He began to have some concept of forever, and his mind shivered as his body had when he had wakened in the cold nights and thrust his hands between his thighs to keep warm. It will be a long night, he thought.

Death: the only true emotion felt in an apathetic world

They say that death kills you, But death doesn't kill you. Boredom and indifference kill you.

One must either take an interest in the human situation or else parade before the void.

Life is a series of avoiding horrible situations until ultimately you're dead. That's how I feel about things.

When I'm lying in my bed I think about life and I think about death and neither one particularly appeals to me.

I think you are born, and I think you die. I have a pragmatic nature, but I yearn to believe.

Have you no hope at all? And do you really live with the thought that when you die, you die, and nothing remains?" "Yes," I said.

In the world according to Garp, we are all terminal cases

The embodied self is the same person who woke to the world in a burst of visonary immediacy, who soon found that he was not the center of that world but on the contrary, a dependent and even hapless creature, and who then discovered that he was doomed to die

How good would it be if one could die by throwing oneself into an infinite void.

I was dying. Like all the other people who live in this world.

You will live as you live anywhere. With difficulty, and grief. Yes, you are dead. And I and my family and everyone, always, forever. All dead, like stones. But what does it matter? You still have to go to work in the morning. You still have to live.

O your life, your lonely lifeWhat have you ever done with it,And done with the great gift of consciousness?What will you ever do before Death's knifeProvides the answer ultimate and appropriate?As I for my part felt in my heart as one who falls,Falls in a parachute, falls endlessly, and feels the vastDraft of the abyss sucking him down and down,An endlessly helplessly falling and appalled clown:This is the way the night passes by, thisIs the overnight endless trip to the famous unfathomable abyss.

Soon I will fall asleep and I will wake from this terrible dream. The endless night will fall, and I will rise. I long for that night. I do not fear it. I have had my fill of fear. I have stared too long into the abyss, and now the abyss stares back at me.

We fall from womb to tomb, from one blackness and toward another, remembering little of the one and knowing nothing of the other ... except through faith.

I think it's my job or the artist's job, to try and find some solution or some reason to accept things. But given the grimmest reality, I feel the grimmest facts are the real facts, the true facts: that you're born, you die, you suffer, it's to no purpose, and you're gone forever, ever, ever, and that's it.

In her way, she was a hard one. Faith in any sort of natural justice was nothing but a night light; she knew of that. Whatever she did, she would end the same way with everyone does: flat on her back with a tube in her nose, wondering, "Is this all?

Have you not done tormenting me with your accursed time! It's abominable! When! When! One day, is that not enough for you, one day he went dumb, one day I went blind, one day we'll go deaf, one day we were born, one day we shall die, the same day, the same second, is that not enough for you? They give birth astride of a grave, the light gleams an instant, then it's night once more.

The world is a playground, and death is the night.

Alas! What is man? Whether he be deprived of that light which is from on high, of whether he discard it, a frail and trembling creature; standing on time, that bleak and narrow isthmus between two eternities, he sees nothing but impenetrable darkness on the one hand, and doubt, distrust, and conjecture, still more perplexing, on the other. Most gladly would he take an observation, as to whence he has come, or whither he is going; alas, he has not the means: his telescope is too dim, his compass too wavering, his plummet too short.

Those who have no hope for a future life are already dead for the present one.