Hilary Mantel Quotes

What was the use of my having come from Oakland it was not natural to have come from there yes write about it if I like or anything if I like but not there, there is no there there.

I probably felt most out of place as a young kid growing up in Sri Lanka. My mental world was somewhere else, partly because of reading and daydreaming.

My father is from Newark in Nottinghamshire and my mother is from the very north of Ireland. They've ended up in Scotland, where my father - well, both of them - will always be seen as having come from somewhere else.

I have often said I come from a family of unreliable narrators. I tend to believe their struggles with racism, identity, nationality do dovetail with my motivation to write.

I am fine with my books being categorized as African-American literature but I hope they are also considered Haitian-American literature and American literature. All of these things are part of who I am and what I write.

In Russia there is an emigration of intelligence: émigrés cross the frontier in order to read and to write good books. But in doing so they contribute to making their fatherland, abandoned by spirit, into the gaping jaws of Asia that would like to swallow our little Europe.

If you wish to understand me at all (and to write an autobiography is only to open a window into one's heart) you must understand first and foremost, that I am an Australian.

I've been a foreigner for the past twenty years. I don't have roots anymore. My roots are in my memory and my writing. That's why memory is so important. Who are you but what you can remember?

My starting point was the search for my identity in foreign places, in places where I am estranged from myself.

I was born Moishe Ketzelbourd but the Indians call me Maurice Cougar.

A writer is dreamed and transfigured into being by spells, wishes, goldfish, silhouettes of trees, boxes of fairy tales dropped in the mud, uncles' and cousins' books, tablets and capsules and powders...and then one day you find yourself leaning here, writing on that round glass table salvaged from the Park View Pharmacy--writing this, an impossibility, a summary of who you came to be where you are now, and where, God knows, is that?

When people stop some film from being shot or burn a book, it's not just that they are saying, this is against Indian culture. They are also saying, you Westernized, elite, English-speaking people are having too much of a good time. It's a very interesting phenomenon.

When Thomas Mann arrived in California from Germany, they asked him about German literature. And he said, 'German literature is where I am.' It's really a bit grand, but if a German can afford it, I can afford it.

Language is the tool of my trade -and I use them all - all the Englishes I grew up with

I'm happy to be a woman but much of it was learned over the course of life. Really thudded into me. You learn it. It's a kind of mastery and artistry. The deeper person underneath the scent of Diptyque Philosykos or whatever is much less gendered. Every person has a range. In fiction, you get to be it all. I'm as much the men in my book as I am the women. I write how I write and there is no mission to stake a claim.

The books are the books, and a lot of the stuff is some version of your id or your ego.

I'm so old that when I started keeping a diary they were in actual books, and I think that's one the reasons that I've never written about sex. Because early on you had to worry that someone was going to find your diary, so it's bad enough to be writing like Joan Didion, but writing like Joan Didion about sex acts you'd performed with somebody you had known for 20 minutes, that's a bit worse. So I would write in my diary, "I met J. and we had sex five times last night." But I would never write about what we did.

Symbols give us our identity, our self image, our way of explaining ourselves to ourselves and to others. Symbols in turn determine the kinds of stories we tell, and the stories we tell determine the kind of history we make and remake.

Definitely. More and more I understand that it's very fine not to know where you come from. There is line in a song by Georges Brassens [French singer-songwriter]: 'Les imbciles heureux qui sont ns quelquepart.' I will never be one of the happy stupid that were born somewhere. This way of life is excellent for the imagination. It develops your paranoia. You feel paranoid when you don't understand a country, and being paranoiac is excellent for fiction.

I keep boxes filled with recuerdos - little memories that are in the form of pictures and events that I've written down. It's funny that I chose to write them in Spanish rather than English or Portuguese.

I have no plans to write an autobiography, I will leave that to others. I'm sure they will turn me into a homosexual or a Nazi spy or something else.

When I saw that scene [in ocean from the Aquarius] for the first time, it blew me away. It caused me to reflect on my age, my history and all that I've been through in Brazil. Having been away from Brazil for so long, while not speaking in my own tongue, when I saw that image, I felt like I was taking my first deep breath after nearly suffocating to death. It was like the plastic had been removed from my head. Even if this breath turned out to be my last, at least I got to have this one moment of release. At least I got this one chance.

I have come to understand myself as more of a New York writer, or more of a woman writer, but I don't feel like that while I'm writing. But I think that most New Yorkers would object to calling me a New Yorker. I didn't grow up here.

To be honest, I don't know. I started one [book] back in 1982 or '83 when I first retired. But I was only 25 or 26 and not ready to write my memoirs.

It happens a little bit more in the West, where there's more fluid - where everybody's originally from somewhere else. So they have a little bit more permission to do it. It happens the least, at the individual level at least, in the South, because the South has very strong, you know, set up black churches and white churches and a long history of that, and so it's a bigger social cost.