Park Bo-young Quotes

All the audience cares about is what you put up on the screen.

Film making is an expensive, as well as a serious business. We should be able to entertain our audiences, who are fully aware of what they want. Every filmmaker has a different point of view and presents facets of society.

I also care that the public are getting their 12 dollars worth when they go to a movie, and that they're not coming out not wanting to ever see a movie with me in it again.

I think the reason why a lot of the Spanish films do so well, and are so well done, is because the public really respects it and wants it.

We don't make movies for critics. I've done four movies; there's millions upon millions upon millions of people who've paid to see them. Somebody likes them. My greatest joy is to sit anonymously in a dark theater and watch it with an audience, a paying audience.

You have to understand that you are not making the film for yourself; you're making it for the audience. If I am asking my audiences to buy tickets, I owe them the worth of their money, and I owe them entertainment.

I don't know what an audience wants to see but I know what I like to see.

I don't think there has been any increase in sophistication in the audience. When people are aware of a concept that's easy to understand, and there's an actor who will attract them to the theater and it's a movie that's funny three-quarters of the time, it will be successful.

I have respect for anyone who's going to go out and make a movie for a small budget and turn it into a phenomenon. God bless you. Please keep making movies. That's great. But it's not what entertains me.

One wants to entertain the audience till the end. Sometimes, the desire is never-dying, as ANR garu once said. The caveat is that one has to be watchful of public reception.

I think the only thing filmmakers can do is try to make good movies and make them as long as they allow us to keep making them. But at the end of the day, it is a business, and if audiences don't care, there's nothing we can do. It'll just go away, I guess.

A stage show's popularity depends on its organisers and the public, but primarily on the performer.

When I first began to work in pictures I tried to attract the attention of film critics, but I don't make movies to please them or myself anymore. I look for material that will entertain.

A lot of scripts are written with an eye on what will be popular or what will titillate or what this actor can do well. I don't think those kinds of scripts ever work.

Showbiz works well when you give the audience what they want.

Our fans - they wanna see you, so give the fans what they want.

Attention spans are so limited and ticket prices so high. We're anyway in a business of manipulating emotions. But each film needs to be positioned truthfully so that people don't feel cheated.

People who go out and do hits year after year after year, I think the fans deserve more than that. The audiences deserve more than just that. You need to give them something new, or things you really love to sing. And they love it.

We're paid to care. That's what actors get their money for. But the main goal is not for the actors to be frustrated at the end of the show, but for the audience to be throwing their shoes at the television set. That's what we're trying for.

I'm out there every night working my butt off trying to do what I do, and that is entertain every single person that paid their hard earned money for a ticket. So I think people realize that and I think over time, I feel like that's grown, definitely.

As films are a mass medium, if more people love your work, it is better.

Bollywood gives you an immense reach. The stars have a huge fan base. The amount spent on promoting a film is incredible. To be part of such productions, in some way or the other, is a blessing for any artiste.

A prequel to 'Baby' was never on the cards, but when the movie was successful, we realized from the audience response to my character that they wanted to see more of me.

I want to entertain viewers as much as possible.

There is no safe zone now: whether it's commercial or experimental films, the audience wants content. Otherwise, they reject the film.