Varun Dhawan Quotes

A successful film is a good film, and a non-successful film is a bad film. It's as simple as that.

The truth is that everyone pays attention to who's number one at the box office. And none of it matters, because the only thing that really exists is the connection the audience has with a movie.

I don't think 'Cocktail' was a perfect critical success, but it touched a vein in our culture.

For a filmmaker, whether the film is liked, understood or appreciated counts as much as the moolah.

On the first movie we got good reviews, but we were still dealing with genre stuff. It's going away. Judge the movie - is it a good one or a bad one? We know we made a great movie and it's being judged for just being a good film.

I would love to do a rom-com, but they are not good - good and successful doesn't equate to the same thing.

I do know my own films don't necessarily work within that high-pressure reductive moment of the opening weekend - or all the ways that many people assess the value of movies.

'Srimanthudu' is a film very close to my heart. It's my first production, and I'm more than happy with its performance at the box office.

We work hard on every film, and then it's up to the audience whether they like it or not. At the end of the day, it is the audience wish what to accept and what not.

People can criticise all day long, I think I've proven myself, I think I deliver. And I agree, box office does not mean a movie's good, but I feel like I'm making good movies and I'm delivering in box office.

If a film is good, it will work no matter what.

Everybody loves a hit. There is nothing as fun as making a cultural splash with a movie.

People feel the worst film I made was 'Jack.' But to this day, when I get checks from old movies I've made, 'Jack' is one of the biggest ones. No one knows that. If people hate the movie, they hate the movie. I just wanted to work with Robin Williams.

When you're acting in a movie, you never consider the reception of it. It's impossible to predict how something will be received. Even if you think it's the greatest thing in the world, other people might not like it. Or agree with it.

I don't think the audience always listens to the critics. That's been proven time and time again.

The effort always remains that my new film outdoes my last in terms of performance and gets better box office success. Box office is the sole reason why I do films.

There is no way of knowing if a film is going to be good.

If you make a good film, then there's no harm if it achieves commercial success.

My goal is not to make a 100 crore film but a film which has got content.

I don't judge cinema on its box-office success.

I do feel bad when my films don't do well, but I respect audiences' verdict because they know well which films to support. If they don't like a film, we should accept it.

No film can do well purely on the basis of dance.

I am choosing films only to entertain people, but at the same time, if someone is putting their money into my films, I want that person to make money.

For me, personally, the value of a film is not determined by a review, but the health of the film is.

I don't really care where movies come from as long as they're worth making.