Kevin Spacey Quotes

If I would had been born years earlier, I would have been in all the Westerns. It's just the way that the industry goes. But now, we are in an age of a lot of different kinds of fears, and you have the science fiction and horror genres doing our morality plays the same way that they would have done in Westerns. I absolutely accept it. In every respect, fantasy is like doing abstract paintings.

When you try to be true to the script, changes occur. A script is there to show us a certain direction. But when you actually have the actors in and you start shooting the movie, you have the actor say a line and it doesn't sound right so you change it and make it different. It's the script that gives birth to these changes and the more you try to stay true to the script, the more that happens.

I can't stand to sing the same song the same way two nights in succession, let alone two years or ten years.

I'm aware that a film is different than a play, and that a film isn't going to be the filmed record of the play. It's its own separate entity, and I've come to peace with that.

I think as an actor, you're more like a dancer, and you have to use your body. I don't understand all these questions about nudity. It's a nonsense. He's an actor, an artist, so get on with it.

Write with the door closed, rewrite with the door open.

When I found out after that first successful exhibition that the gallery wanted me to do another show like the first one, I come out two years later with four 6-foot drawings of classical nudes masturbating. The gallery director flipped the freak out!

Every few years when it's been another five years that have passed and I haven't made a film and the depression starts taking over totally, I allow myself to do a commercial. And then I feel really dirty and get to work promptly.

Anything that propels me to create, like [my book, Straight Walk]. It kept me inspired for almost four years.

We are all part of creation, all kings, all poets, all musicians; we have only to open up, only to discover what is already there.

I've been really happy just traveling and being Mrs. Johnny Cash all these years. But I'm also really happy and surprised that someone wanted me to make another album, and I'm real proud of what I've done.

[Albert] Hoxie, my Western Civilization professor. I had him in my freshman year and he opened up an extraordinary world to me that I've never forgotten. He used his extensive knowledge of art history to illustrate the development of Western culture and politics.

Alejandro Amenábar is a very interesting filmmaker. I had really liked The Others, which was a movie he made with Nicole Kidman a few years ago. He made a very compelling case about how much he wanted me to be in this movie. Whenever a really passionate, talented filmmaker seems to have an interest in me, I take it very seriously because I like to work.

Now I've heard there was a secret chord That David played, and it pleased the Lord But you don't really care for music, do you? It goes like this the fourth, the fifth The minor fall, the major lift The baffled king composing Hallelujah

After 100 years, films should be getting really complicated. The novel has been reborn about 400 times, but it's like cinema is stuck in the birth canal.

Shivaji was the greatest Hindu king that India had produced within the last thousand years; one who was the very incarnation of lord Siva, about whom prophecies were given out long before he was born; and his advent was eagerly expected by all the great souls and saints of Maharashtra as the deliverer of the Hindus from the hands of the Mlecchas, and as one who succeeded in the reestablishment of Dharma which had been trampled underfoot by the depredations of the devastating hordes of the Moghals

For this mortal I would disobey my queen, abandon my king, the court that has protected me all these years. All of it.

War and culture, those are the two poles of Europe, her heaven and hell, her glory and shame, and they cannot be separated from one another. When one comes to an end, the other will end also and one cannot end without the other. The fact that no war has broken out in Europe for fifty years is connected in some mysterious way with the fact that for fifty years no new Picasso has appeared either.

An artist who wants to transpose a composition onto a larger canvas must conceive it over again in order to preserve its expression; he must alter its character and not just fill in the squares into which he has divided his canvas.

Theatre artists are essentially sort of charlatans and thieves, I mean that's the tradition that we come from, so I have absolutely no, I make no bones about the fact that I steal from here and I take from there, and we all do it, that's perfectly all right, that's the nothing, there's nothing new in the world, there's nothing actually new in the way that you do something, but the point is is how do you take something and use it to articulate what is essentially a core of any given theatrical production.

There is nothing that one can say about acting, writing, producing or directing that cannot be revoked in the next breath. Nothing is immutable. The logic of one year is a folly of the next.

I just went to Europe, spent a year traveling, and then I came home with a finished album and said, "Hey everyone I'm back!" I gave everyone their lighters from Luxembourg, gave them the postcards from Italy and Rome, then said, "Hey look, I made a record, too" and played it for them. The general reaction was shock, because it was so different from what they've known me to do.

The Oresteia, King Lear, Dostoevsky's 'The Devils' no less than the art of Giotto or the 'Passions' of Bach, inquire into, dramatize, the relations of man and woman to the existence of the gods or of God.

Someone told me once that blues is like whiskey. They keep whiskey in the barrel for so many years, and then they talk about how well it's aged. But I don't think that goes for him. I think this young man has just stepped in there sayin', 'I'm gonna prove you all wrong.' I think he's like a watermelon, man. He's ripe.

Andy [Warhol] put on his fey kind of act, but he wanted to be number one and he succeeded. But you never know. Fifty years from now he might not be seen as so important, but the way our whole culture has gone, and the way it continues to go, is his way - for better or for worse.