John Kasich Quotes

The cultural issues, I think, at Wells Fargo went very, very deep. They have to unwind these cultural issues.

What really worries me is that those who are in positions of power are not really affected by what we are writing. In the moral dialogue you want to start, you really want to involve the leaders. People ask me: "Why were you so bold as to publish A Man of the People? How did you think the Government was going to take it? You didn't know there was going to be a coup?" I said rather flippantly that nobody was going to read it anyway, so I wasn't likely to be fired from my official position. It's a distressing thought that we cannot engage our leaders in the kind of moral debate we need.

In the future, when something comes up, you tell exactly how it happened but write down for yourself the way you think it should have happened. Tell the truth and write the story. Then you won't get mixed up. It was the best advice Francie every got.

When you're young, your perception of what it means to be a writer is often less about the writing and more about what seems to be the accompanying life: speeches and travel and hanging out with other writers. You think that when you get published, your life will clarify itself to you somehow. But when you don't get published until you're middle-aged you know who you are already, and your life expands to make room for your writing, rather than orbiting around it. You realize that there's no one way to be a writer, and that the job is less of an identity and more of a vocation.

I don't think they [contemporary writers] read me either. I mean, if we're concerned genuinely with writing, I think we probably get on with our work.

Deregulation has been, above all else, a means of reducing corporate business's accountability to the public.

I don't want to tell people what to think. I'm the least qualified person in the world for that. If I'd go around pretending to be the expert on everything, I'd become Dan Brown, and I don't understand that. We all do our research if we're good writers, and we all work hard to get it right, but that doesn't mean we're experts in the field. The best we can do is challenge people to learn the facts themselves.

If ideas are what feed serious literature and arresting language, who today is writing a novel of ideas (which can often mean comedy)? I think of Joshua Cohen. Who else?

I think that in the process of writing, all kinds of unexpected things happen that shift the poet away from his plan and that these accidents are really what we mean when we talk about poetry.

Management has no divine rights.

Suppose we think while we talk or write--I mean, as we normally do--we shall not in general say that we think quicker than we talk, but the thought seems not to be separate from the expression.

When we are debating an issue, loyalty means giving me your honest opinion, whether you think I'll like it or not. Disagreement, at this state, stimulates me. But once a decision is made, the debate ends. From that point on, loyalty means executing the decision as if it were your own.

Every coach, every executive, every leader: They all know right from wrong. Even those Enron guys. When someone uncovers a scandal in their company, I don't think they can say, "I didn't know that was going on." They're just saying they're too dumb to do their job! And if they really are too dumb, then why are they getting paid millions of dollars to do it? They know what's going on.

Schiller writes in a letter [to Goethe, 17 December 1795] of a 'poetic mood'. I think I know what he means, I think I am familiar with it myself. It is the mood of receptivity to nature and one in which one's thoughts seem as vivid as nature itself.

Informing people about the world's problems opens up the possibility to address them and change them. Anything else is simply willful ignorance. I mean, what the hell should we do? Sit around blowing up balloons? Watching Disney-sponsored movies? I don't think so.

I mean, if we're concerned genuinely with writing, I think we probably get on with our work. I think this is very true of English writers, but perhaps not so true of French writers, who seem to read each other passionately, extensively, and endlessly, and who then talk about it to each other - which is splendid.

I think a lot of the writing, you know, I write is just kind of like that where, you know. I write exactly how I'm feeling sometimes, and hardships that I'm going through. But I always end up, like the choruses are like, "God, You are good. God, you're faithful. You know, I know You understand, You're right here by my side." All these different things. And I just say very personal experiences that I've been through. I mean, it's not always detrimental thing.

I think I'm succinct to the point of trying to write the two-word novel. Editing my work almost never means taking anything out but rather adding, because I'm always stripping down. I tend to under-write rather than over-write.

When people write lies about you, and you know that they are lies, that means that they don't know the truth, so that's OK with me. If something true came out, I would have to check my circle to see who's talking and possibly make an apology phone call to my parents!

The buck stops with me, but I can tick off dozens of very good senior executives that are responsible for hundreds or thousands of people who work for me.

President-elect Barack Obama is starting to get an idea of just how hard his new job is going to be. Today, he said he wanted to bring a sense of accountability to Washington. I think they realized actual accountability, never going to happen.

Writing is a conversation with reading; a dialogue with thinking. All conversations with older people contain repetition. Some of the ideas mean a lot to me, just interesting, so I both embrace and attack the ideas because I found them, well, delightful.

You can't write your life story and leave out one of the most important things that happened to you in your life. I think that that would be dishonest, and it would be something people would be very angry about.

How I love to get a letter! I can think of nothing better Than perusing an epistolary item. But deep is my despondence, For I've found that correspondence Means that if you want to get 'em, You must write 'em!

I always try to write about something that's actually happened or it doesn't always have to have happened to me, but it has to have happened at some point. So every single lyric that you hear comes from some kind of story that I've come across in my life. I like to think that that maybe helps me mean it a bit more and if you don't mean it, it ceases to be soul music.