Peter Facinelli Quotes

From the first moment on the set I was consumed with curiousity about the technical side of shooting a sound picture.

I will say that 'Source Code' proved to be a very tricky film to shoot.

I was grateful to have two weeks to shoot this one scene in Harry Potter. It's a big, big scene, but they have to deliver. And they have high expectations.

'Dark Knight' shot in London and Chicago, and we were on that for so long.

It takes a while to get a movie together, and they don't start talking books until the movie is close to being finished.

Designing Woman was written for the screen.

I do like the whole idea of going to a location to shoot a movie, and there is a start date and a finish date, and a lot of special things happen within those weeks.

Shooting this one was kind of like a two month party, we would literally play music between takes, and other movies that were shooting on our lot would play hookey, come over and hang out and stuff. We had a great time.

I wasn't creative enough to imagine my first novel becoming a film directed by Alexander Payne. Nor did I consider the possibility of seeing Hollywood stars moving through my personal version of Hanalei town: going to Tahiti Nui, rehearsing a scene in front of my cousin's cottages, driving the snaky roads.

All of my books have the potential to become movies, it's just a question of finding a studio who wants to get behind me and put up the money to make the movie.

When you're doing a car chase movie, you're sitting in car waiting for places or grips or stuff for quite a while.

'Underworld' was my first filmed book. I think there are about seven of my lines in it.

I'm filming the next two installments of the 'Fifty Shades' movies back-to-back.

I read bits and pieces of 'Twilight' as we were making it.

Climax shoot for 'Dabangg3' has been very hectic yet a great experience.

I finished 'Hell or High Water' and started writing 'Wind River' literally the next day.

As a writer, being on the set of 'Gravity' was such a surreal experience. It was nice to see them using the technology to translate what we had on the page.

I'll never forget travelling to New Zealand for three months to make the 'Underworld' films - that was pretty special.

The experience of shooting 'Encounter' itself was very exciting and challenging.

I always enjoy shooting for all my films.

If you sell the film rights to your book, it doesn't mean there will be a film. I have sold the rights to five books and had zero films made. Take the money and be thankful.

I think it is always a long shot getting a book made into a film. Making that book into a film is going to be quite a challenge.

If you are not in the red playroom of pain and pleasure, … shooting the movie is much like doing any other movie.

Giving your book to Hollywood is like turning your daughter over to a pimp.

You can't make a movie about the artist without shooting outdoors.