Bonnie Jo Campbell Quotes

When I was writing Caramelo the last couple of years, a sixty-hour work week was normal. And now I'm lucky if I have eight hours.

I try not to write more than two or three, I try to just write one if possible, I write till the end at least a draft of a play or a novel; but sometimes, I'll take a break for a couple weeks for a project that is paying me money like a television project which I try to stay away from just to stay financially ahead of the game.

[Children] would have messed up my apartment. In the main, they are ungrateful. They would have siphoned too much time away from the writing of my precious books.

Be ruthless about protecting writing days....althoug h writing has been my actual job for several years now, I still seem to have to fight for time in which to do it.

I think I've only spent about ten percent of my energies on writing. The other ninety percent went to keeping my head above water.

Writing responds well to some gentle scheduling. A day job not only promotes solvency, it promotes creativity as well.

There is nothing harder to estimate than a writer's time, nothing harder to keep track of. There are moments—moments of sustained creation—when his time is fairly valuable; and there are hours and hours when a writer's time isn't worth the paper he is not writing anything on.

Right when I started getting solid was when I was offered a lot of writing work. And when The Ben Stiller Show was picked up, I realized there was no way for me to do stand-up three or four nights a week and run this television show with Ben. So that was the moment when I had to make a choice.

It was by coincidence that I ended up opening my first shop in 1968, and I haven't stopped since. I now find myself trying to do everything. I couldn't live without creating my collections, without writing, drawing and reading. But I couldn't either live without being close to my children on a daily basis and also to my grandchildren, and to all the people I love. I guess I am like every woman today, one who juggles her work and family life.

There have been years where I've had to take a real job and I wrote during slow times and lunches. I think never forgetting how lucky I am to be able to do something I love has really fueled me.

It's not so much less pressure, it's less work, which is really exciting to me. I'm just personally looking forward to being able to spend a little more time doing different things, so that's really great. Jay and I are writing a book this year which is really fun and so yeah, I am very excited to spend less crazy 12-hour days on set. Those were taxing times.

My normal writing day involves three hours of actual writing, before noon, and the rest is just feeding the writing. There is teaching (so I can afford to write), travel to be planned and executed. There are dozens of emails daily, gardening, lots of dishes (where do all these dishes come from?), daily family emergencies, and, of course, the petting of the donkeys. The smell of donkeys is heavenly, and their he-honking is the sweetest music. I feel calm just thinking about them.

I used to joke about this but I've recently realized that I really believe it: I spent many years training myself to write very slowly for pretty good money. So the idea of writing really quickly for free offends me.

It's not the '80s any more. We're not all riding around in limousines and snorting coke off of hookers' tits. We still have to keep working and touring. We're definitely still very much a working band. If we stopped doing this tomorrow, we'd have a little bit of cash to last us a couple of months, and then we'd have to go and get other jobs.

Every story teaches me how to write it. Unfortunately, it doesn't teach me how to write the next one.

It takes an awful lot of time for me to write anything. I have endless drafts, one after another; and I try out 50, 75, or a hundred variations on a single line sometimes. I work on the process of refining low-grade ore. I get maybe a couple of nu ggets of gold out of 50 tons of dirt. It is tough for me. No, I am not inspired.

You can't live and write at the same time.

We were 15 minutes into it and nothing was happening; I thought, well, that's not going to work. Then all of a sudden everything clicked. I don't know how long it took us, but I would just show up at Alison's [McGhee] office. She would type and we'd just kick it back and forth. Writing is so scary for me, such a lonely endeavor, and it became a wonderful thing to show up and have somebody else go through it with me. It was actually a wonderful experience.

In a strange way, I don't have a job, so I have a lot of time on my hands. When I do work, it might be very concentrated, and it might be months where you're not really doing anything except maybe playing the banjo or writing something. You know, there's a lot of time in the day if you're not working 9 to 5.

I got scared away from the whole writing and producing thing, because of how really, truly difficult this was.

My friend advised me to go into studying art, which at first shocked me because art was so easy. It was just something I did, like breathing or brushing my teeth. It couldn't be a job. I had a much more difficult time writing plays, making myself sit at that typewriter and finish those things.

It does feel great to be writing, but the process is sometimes excruciating.

I remember when I used to have actual time to write and now you don't have time and you just do it. I think it explains a lot about television.

The book [ One Thousand Gifts] took just over a year to write, on the fringe hours, early and late, around home educating 6 kids and farming and blogging. And I wonder if the greatest challenges was to keep pressing into it when I had never been here before. I felt like Abraham - being called to something that he didn't know how to get to.

I don't go to conferences quite as much as I used to: having a child and movin away from the university leaves me with less time, but I've tried to balance things out - not just spending time with Linux all the time, but having a real job and a real life at the same time.