Garrison Keillor Quotes

I come out of journalism, and then book writing. There, it's just you and your editor and maybe a copy desk, looking over your editor's shoulder, and that's the story. It's right there. I can show it to you because it's on paper.

Perhaps one would be wise when young even to avoid thinking of oneself as a writer - for there's something a little stopped and satisfied, too healthy, in that. Better to think of writing, of what one does as an activity, rather than an identity - to write, I write; we write; to keep the calling a verb rather than a noun; to keep working at the thing, at all hours, in all places, so that your life does not become a pose, a pornography of wishing.

I've never discussed my writing with others much, but I don't believe it can do any harm. I don't think that there's any risk that ideas or materials will evaporate.

A friend of mine who writes history books said to me that he thought that the two creatures most to be pitied were the spider and the novelist - their lives hanging by a thread spun out of their own guts. But in some ways I think writers of fiction are the creatures most to be envied, because who else besides the spider is allowed to take that fragile thread and weave it into a pattern? What a gift of grace to be able to take the chaos from within and from it to create some semblance of order.

I don't write with any audience in mind. I just write. I take a chance on the audience. That's what I did originally, and I think it's worked--in the sense that I find there is an audience.

Sometimes I look back and think, "How did I write that? The book is smarter than I am!" I have never written strategically, but rather, followed the dictates of my muse.

I think one of the reasons I'm so thrilled with writing is because it is an act of reading for me at the same time, which is why my revisions are so sustained.

This afternoon, burn down the house. Tomorrow, pour critical water upon the simmering coals. Time enough to think and cut and rewrite tomorrow. But today-explode-f ly-apart-disint egrate! The other six or seven drafts are going to be pure torture. So why not enjoy the first draft, in the hope that your joy will seek and find others in the world who, by reading your story, will catch fire, too?

Writing was my route to creative expression, and I needed to write about the things that interested me.

I haven't had writer's block. I think it's because my process involves writing very badly.

It was only after two years' work that it occurred to me that I was a writer. I had no particular expectation that the novel would ever be published, because it was sort of a mess. It was only when I found myself writing things I didn't realise I knew that I said, 'I'm a writer now.' The novel had become an incentive to deeper thinking. That's really what writing is—an intense form of thought.

If you're writing, you're a writer. If you're talking about it or thinking about it, I'm not so sure. Writing is ninety-eight percent work and two percent magic.

I think that it's worthwhile to explore the ways in which you write the person that's writing your plays as opposed to simply assuming that it's all a natural process and there's no design in it. Because your public persona is designed, to a certain extent, and you can have fun and profit at various times doing that.

I love the freedom of writing and then I love the realization of directing. I can't favor one or the other. I enjoy both parts of the process.

I'm often just writing just to write. I'm not writing with...If I write, like, sitting down with a goal in mind, it's always, like, the worst. It turns into a ska song even if I'm trying to write like a horror movie sound track or something.

As a writer, I don't think it's my responsibility to make a point. I just write and hope there's someone who'll like it.

Writing is above all a question of instinct.

That is an editor. He is trying to think of a word. He props his feet on a chair, which is the editor's way; then he can think better. I do not care much for this one; his ears are not alike; still, editor suggests the sound of Edward, and he will do. I could make him better if I had a model, but I made this one from memory. But is no particular matter; they all look alike, anyway. They are conceited and troublesome, and don't pay enough.

To write a book is for all the world like humming a song.

I don't think I'll write a large novel again because it was like being in jail for me. Even though that's the funniest book I've ever written, it was the saddest period of my life.

I never exactly made a book. It's rather like taking dictation. I was given things to say.

Writing screenplays is very freeing from what you can do in comics in a lot of ways. You can change things around. I can take great delight in writing 40 pages, then just pressing delete and getting rid of it and not thinking about it ever again. Whereas in comics, if I had put that kind of effort into it, I couldn't go on.

It's good to try stuff. I wrote a book that I threw away, and I think I just wrote it so I could try stuff in it and not be scared

So many people think that practicing an art is a good way to make a living. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. I'm talking about singing in the shower, I'm talking about dancing to the radio, I'm talking about writing a poem to a friend.

I'm not really a full-time director, I just like to direct the things that I write because I think I'm going to know it better than someone else.