RM Quotes

My passion is more about bringing the stories out from the African continent mixed with the West.

I think it's the responsibility of a major opera house not only to cultivate debate and get people thinking, but also to be interfaced with things that challenge them. To challenge its audience and not just deliver things that they know, even though some of those things are wonderful.

I've got fans and letters from Israel, France Germany, Sweden, London, Africa. They all saying pretty much the same thing, 'Yo, we love you, we need you, put some more music out, please!'

Thanks to many great K-pop singers, the groundwork has been laid for more Korean songs to be readily accessible to an overseas audience via channels like YouTube.

As a Latin musician, I understand that there are so many places where people don't know who I am. My albums never came out in Australia or Japan.

It really matters to writers to find and treasure readers, all the more when they're on the other side of the world.

I want to put everything I think I've learned about filmmaking and storytelling and put it to the test in other areas.

I've created a bridge between European electronic culture and urban American culture, and I've worked with established brands.

I feel as if I can take Indian stories, make them mine and take them to the world.

I want to help promote Korean music around the world.

To me, a big crossover was what happened to me years ago, like bringing my music in Spanish to Europe, or Asia. To me, that's a crossover because Spanish is not a language that everybody talks.

I've got a general callout with the Caribbean world in which I'm interested in helping in any way to get their well-written good stories out to the rest of the world. I am really interested in helping those stories get to a completion and public viewing.

I've literally never seen a crowd react to a band the way they react to the Polysics. Signing them to MySpace Records was an obvious choice. I wanted to be the person to bring this seasoned band to a new culture and audience. I'm really proud of them.

I think, for an actor, the whole world is a place of work because if you focus on characters and on stories, they are everywhere, so yeah, I feel very privileged to have had this great opportunities in the international cinema and especially in the American cinema.

I have written with some amazing singers and songwriters - the moment with Snoop Dogg was amazing - but being able to tell an Aboriginal story is bigger than anything that I have ever known.

The growing reach of Coke Studio Pakistan is mostly evident in the Middle East and the sub continent but with the passage of time it is rising across Asia as well as the west.

When I first debuted back in 2009, K-Pop was already starting to get bigger because of the Internet. And that's how I found it, because I'm not Korean.

A lot of the time the K-pop fans are pleasant and enthusiastic and they really credit everyone who has been a part of their favorite artists' records.

I'm pretty much open to anyone who's unique and has mutual appreciation in the music as BTS.

I remember our Twicelights world tour. We were being called 'Global Twice.' It was very cool to have a few shows in the U.S. and meet the fans.

I am extremely excited to be working with Major Lazer on the Tuborg Open Project, which is an amazing platform for global and cultural amalgamation of music.

We have a big fan base in Australia, but none of us have been before.

My song 'Afreen Afreen' which I performed with Rahat Fateh Ali Khan was the most international heard track and it received over 93 million views. So, with every new season Coke Studio is doing a great job.

I want to make a good impact on the K-pop music world.

It's crazy how a whole lot of African artists work. Big respect to everyone that does it, but I have not heard anything that really cuts across. We're trying to do that.