Yui Mizuno Quotes

So, it's a matter of that I want to take our music around the globe.

I actually feel like the phrase 'big in Japan' is not appropriate for me. The reason is that there are more people who sympathize with my practice in America than there are domestically in Japan.

I didn't think much about foreign readers when I began 'Naruto,' but I knew that many of the artists who influenced me had already been accepted overseas.

The best thing about a platform like YouTube is that it helps musicians all around the world to reach such a vast audience.

YouTube is a place for everybody to get together and interact and share their love for Babymetal.

Once I had gone for a shoot at a remote Fiji island in the middle of Pacific Ocean and I was thoroughly bowled over the popularity of this character there! I've also got positive feedback from U.K., U.S.A., Canada, Pakistan and Dubai for my performance as Brahmanad.

You can put your music out on YouTube and get messages from all over the world.

I can understand my popularity with the Indian diaspora, but I do get surprised when non-Indians recognise my music.

I play music for people all over the world. It's a huge privilege.

It's probably no coincidence with the internet and social media and the word being able to spread beyond the radio, where fans can go and talk and congregate and trade stories and a band could communicate news very quickly and in a worldwide basis. I'm sure that's helped in bringing in this case us to more of the forefront of peoples attention.

We try to make our own BTS context. Maybe it's risky to bring some inspiration from novels from so long ago, but I think it paid off more. It comes through like a gift box for our fans. That's something you can't find easily from American artists.

It's an honour to have been invited to perform in India for 'Vh1 Hip Hop Hustle.' This only reconfirms the impact Hip Hop culture and music has made globally.

'Sleepless' was the first thing that came out and really gained a lot of traction online.

The Washed Out thing happened really quickly, and I wasn't really actively promoting the songs. I didn't think of them as any more than demos, really, and it sort of became a thing on its own.

The American audience has always without fail shown us very real emotions. We always try to just be ourselves and show them who Babymetal are.

It's really hard to get fans in another country, especially here, because America is so, so big, so it's really hard to get known in this country.

We have a big fan base in Australia, but none of us have been before.

It's really easy to go viral, but I think it's really hard then to have a career.

I did not have activities in the Philippines before, but many fans recognized me and greeted me with overflowing cheers. 'Moonlight Drawn by Clouds' was said to have aired through KBS World. I didn't know that.

Sometimes I wonder how my life would have worked out if my books had been translated into English sooner, because English is the language that's spoken worldwide, and when a book appears in English it is made universal, it becomes a global publication.

I want to take it really far in Spanish; even non-Spanish speakers listen to my music across the world. Even though they don't know what I'm saying, they really feel it. We want to take it to another level and keep building our name. We want to take it really far just in Spanish.

You don't want to start writing songs about how your Twitter followers are going up, because one day Twitter won't exist, and you'll feel like an idiot.

The video-sharing app Vine was the first place I got a glimpse of cultures beyond my own, including those of the Middle East. I was able to see how some women there wanted us to see them: prospering, aware.

I remember seeing stories on Wattpad with five million reads and thinking, 'That must be incredible.'

Comedy is delivered to people in the same form that music is being delivered: by YouTube. People are sharing music and comedy in the same way now.