Tiffany Hwang Quotes

T Bone and I grew up together in Fort Worth, Texas. He had his own recording studio by the time he was seventeen years old. When we were both nineteen he made the first archival recording of my voice.

I had a vision how it should sound and I put all my knowledge into this product and it is a fantastic product. People still tell me that I have the best musical thing there.

Well, I've been recording myself on a computer since I was about 13 or 14. So it's completely entwined with my creative process. Essentially, it allows you to make music that's better and smarter than you are, by using your ears to lead the way.

I am such a gearhead. In my recording studio, I personally engineer and edit everything on computers.

The first two projects I did out of my dorm room were mock film soundtracks.

It's lovely being a producer. It's really a lot of fun and I can learn a lot.

It's big production. It's huge. It's using studio technology to your benefit. You don't go in and play live and then just take the tapes and get them mastered. You have to create.

Pro Tools was invented to quicken the recording process.

Bobby is really the one who did all the editing on that stuff. And he did all the mixing. I particularly like the record we did with Logic because Scott Harding did a great job mixing it. He's really a killing engineer.

Some people focus more on sonics. Some people focus more on story. I focus on both sonics and story.

Darrell is really good in the studio. I mean, he has a real working knowledge of how the process works, and what sounds good coming back over tape, and how the stuff works together.

The tracks on 'Sleep' were recorded live to 2-track. I did a fadeout or two of them, but that's really it.

I like making sounds and putting it together, I'm not just a singer or a producer.

For me, what people generally call sound design is just one component of orchestrating a score.

We grew up understanding how the analog sound is a driving force for music.

This is just what I do, play music and create sounds and all that good stuff.

I'm not a filmmaker. I'm not a music producer by choice.

I don't think there's anybody that has such a keen sense of vocal production and attention to detail as Dre.

I think the sound that I have had on all the records that I've been a part of have been important and special.

I think I make good beats, but when it's not mastered correctly, it can definitely make it sound like it's not a good beat, and that has been an issue sometimes with me in the past.

I talked to the record company about what I had in mind. They said they wanted something lush. I figured the best thing to do was let them hear what I had in mind.

I love putting the music together. It's like art.

I've built an 8-track studio in my house that's virtually identical to what they used at Abbey Road, and I also own the 16-track set-up that Led Zeppelin used to record 'Houses of the Holy.' I'm interested in producing, but I'm mostly recording my own stuff.

One always has to remember these days where the garbage pail is, because it's so easy to make sounds, and to put sounds together into something that appears to be music, but it's just as hard as it always was to make good music.

You don't have to be a good musician if you've got certain computer skills.