Olivia Wilde Quotes

I think that game is a testament to what happens when you put no ceiling to what you're capable of doing.

I think what inspires me or what keeps me inspired is my curiosity.

I feel like I have re-created myself on every album. I try to do that. It's like playing a game with yourself, trying to compete with yourself.

I work when I feel like I can do something that pleases me, that I think I can give a little more than I've given up to yesterday.

I learn something new every day - to edit, to take out all the extraneous matter and stress form, logic, and content. I try to play beautiful music.

I'm like a chameleon. I can kind of change and get my game going to whatever the situation is. If I play well, which I don't think I've even reached yet at all in this tournament, it's really hard for anyone on the women's tour to beat me.

You can keep your mind open and use your imagination and be creative even when you're older. For kids, I definitely think keeping your mind open and using your imagination and being able to play pretend and that it's okay.

How then shall they have the play-games you allow them, if none must be bought for them?" I answer, they should make them themselves, or at least endeavour it, and set themselves about it. ...And if you help them where they are at a stand, it will more endear you to them than any chargeable toys that you shall buy for them.

I'm aware of the power of looks. I've wanted to play roles that have gone to much better-looking people and you just think 'Oh well, that's the pin up guy's an actor like my friend James Mcavoy, who's gorgeous on screen. I'm not that. But at least I don't have to worry about taking precious care of my face because it's my commodity. That's a great freedom. I'm not afraid of being heinous for the sake of a part

I never have any trouble playing anything I can think of. The trouble is in thinking of what to play.

Maybe it's wishful thinking, this snaggly faith of mine, or maybe it's Miles Davis saying, Don't play what's there, play what's not there.

I think we're all actors. There's this friend of mine who's a great drummer, and he said, "I never thought I'd be a drummer, but I got really good at it. I always feel like I'm an actor playing the drums." His real calling was that he was going to be a magician. That's what he felt like he wanted to do. If you decide to act like a journalist, you'll probably be a better journalist than just being a journalist. What you're doing is, you're taking the executive role and stepping outside yourself so that you're able to make more objective decisions.

I think kids abandon stories all the time. They start stories and get frustrated or get a different, better idea. I think that it is more worthwhile to stick with a story and revise it and try to finish it than abandon ship. Revisions, for any writer, are the name of the game.

I think it's incumbent upon me to try to be smart and make good choices and work with good people and work my ass off when I'm working with good people and I have to let everyone have their opinion afterwards. But this is what happens. You make a movie or you're on a show and then you have this experience and everyone tells you what you did. They tell you what you did. That's allowed. That's the experience of being human and subjectivity. That's it. We can only do what we'll do, and I can only do the best I can do.

Art is both creation and recreation. Of the two ideas, I think art as recreation or as sheer play of the human spirit is more important.

I think when you start to do well and get your confidence back, everything becomes more fun. When you're playing with not your full capacity of confidence, I think things get a little tough. I knew I could be doing better than what I was doing. Even though I was ranked 5 or 4 or whatever it was, I wanted to get back to the level I thought I could play at.

I personally think if you're given four months instead of four weeks on a play, with the people who want to work that way, the play will invariably be different and stronger, and much more fulfilling and richer on all counts. There's no doubt in my mind about it.

Museums and bookstores should feel, I think, like vacant lots - places where the demands on us are our own demands, where the spirit can find exercise in unsupervised play.

I think in every character there are aspects of yourself that you bring to it. But then it would be really boring to just play yourself.

I've found that giving gifts is transformative. It makes me better. It clarifies my thinking and allows me to do better work.

Well, I know from some of my own experience, and many of my friends' experiences, when going through that sort of program. The whole addiction game really forces you to focus on what brings you there and accept the only way out. So once you really put this focus on getting better and figuring out what your flaws are, that's what brings you back. I think she could've been more reckless and shown up earlier, but I wasn't really available to come back.

One way to think about play, is as the process of finding new combinations for known things--combinations that may yield new formsof expression, new inventions, new discoveries, and new solutions....It's exactly what children's play seems to be about and explains why so many people have come to think that children's play is so important a part of childhood--and beyond.

I've been joking that if Madonna taught us anything, you've got to reinvent yourself. I think it's important as a filmmaker, as any person working in the arts, that you've got to try new stuff and challenge yourself and take chances. I've tried to take a chance with every film I've done - I've never done it the easy way, and I think that's because that's what excites me, is making as big a mountain as I can in front of me, and just trying to mount it.

Mistakes don't scare me or bother me. If I feel like I made the same mistake twice, then I feel like I've really screwed up. But if I make one mistake and learn from it, hey, to me in the game of life it's just as important to know what doesn't work as what does. So I think mistakes are a good thing.

Game design isn’t just a technological craft. It’s a twenty-first-century way of thinking and leading.