Neeraj Kabi Quotes

With platforms like Netflix, things are evolving as they are making content-driven films and series.

I am drawn towards this new format of web series.

I didn't have cable, so YouTube was my cartoons.

Suddenly, everyone woke up, and everything was moving online. We've got Netflix making original series, CBS placing their network online, and suddenly, everyone's announcing some kind of digital network for serving their content online.

The thousands of clips on internet are better to us than any DVD that could have been released.

What I find most exciting about online video is that it's the future.

The lifeblood of YouTube is sharing.

The Web meant that I didn't have to schlep a whole bunch of stuff to a museum and fight with all their constraints and make something that, in the end, only 150 people would actually get out to see. Instead, I could put something together in my lab and make it accessible to the world.

My opinion, young people go to the Internet. To the Internet distribution system right now, you put it up there and it's accessed by the world.

People say: 'Oh, but would you be happy for your show to go on BBC3 if it was just online?' If I was sat here telling you I had just signed a huge deal with Netflix you'd be going: 'Wow, that's amazing.' You can't see it as 'Oh, it's no longer a channel because it's not on TV.'

With the rapid growth of Internet users in China bringing online video into a new paradigm, the market scale we first envisioned as an online video website back in 2006 has grown significantly.

I don't think that Yahoo or any other Internet company should try to become a television network. We will be nowhere if we have to create our own content.

At Yahoo, we were one of the early proponents of the power of content showcased through new media. SnagFilms, with its large library and breadth of digital distribution, can help shape this next phase, bringing great stories to broad new audiences.

There's always going to be a place for YouTube.

Everybody's got their phone up and everybody's taking recordings and posting it on YouTube and whatever and sending it to you, and it gets shown around the world.

I basically watch videos online all day long.

Movie distribution may very well have migrated fully to digital form by then, making a huge dent in the need to print film and physically distribute content.

One of the things that is counterintuitive about BuzzFeed is that there's not a natural corollary to what we're doing because it isn't possible to distribute content through word-of-mouth in print.

Things that are interesting, people will pass around the Internet, around the world. And the blogosphere is only the tip of the iceberg.

Newspapers are busily experimenting with different models. Traditionally, and I suspect in hindsight very mistakenly, online news was free. And once given free access readers felt it was their entitlement.

Netflix is distributed in 50 countries around the world. It's an incredibly affordable, well-distributed product that gives anyone with access to the Internet and a screen access to content in a very affordable way.

The Internet is the ultimate vanity-publishing medium, and therefore, the ultimate place for those of us who like to watch. The Internet can reach an audience at lower cost than any medium before it.

On NBC, MSNBC and Hulu, you can size and cut clips to whatever length you want. Do online clips affect the TV market? I'm guessing not really.

The online video business started in both China and the US around 2005/6, when broadband penetration grew big enough.

Internet TV and the move to the digital approach is quite revolutionary. TV has historically has been a broadcast medium with everybody picking from a very finite number of channels.