Jeri Ryan Quotes

I would defy people to find a more beautifully developed character than Seven of Nine.

I'm trying to eliminate every vestige of my own personality, style, approach and get into somebody else's skin. Sometimes I feel I've accomplished it. But when I don't, I'm nobody at all, having left myself at home.

Being 'Johnny' was almost like an out of body experience. I thought he was just a character that I'd created and could quite easily step away from, but it was much more difficult than that.

All American fiction could be classified as immigrant fiction.

The fact that we're all hyphenating our names suggests that we are afraid of being assimilated. I was talking on the BBC recently, and this woman introduced me as being "in favor of assimilation." I said, "I'm not in favor of assimilation." I am no more in favor of assimilation than I am in favor of the Pacific Ocean. Assimilation is not something to oppose or favor - it just happens.

As a consumer of entertainment, as a director, I'm always interested in questions of identity and who someone is and how they're perceived and who they are versus who they thought they'd be.

When you come back to a country that you've left, you're in a very peculiar situation because, in a way, you don't belong to that country any more, even though when I'm in America I feel I don't belong there either.

So here I am walking around with another person inside of me. Though I think I put it better the day we parted when I said there is a third person we have created from the two of us. And I am stalked now by that other entity.

You end up loving every character that you play but a lot of the people I've played, I should just say for myself, I played, I wouldn't necessarily want to continue playing them. I've done them. It's like going on a trip. You go, you're amazed, you're glad you're there but you're glad to get home. And that's how I feel most of the time.

In all those types of films I wore a tan suit, a grey suit, a beige suit and then a negligee for the seventh reel near the end when I would admit to my best friend on the telephone that what I really wanted was to become a little housewife.

The network told me to get rid of Number One, the woman first lieutenant, and also get rid of 'that Martian fellow'... meaning, of course, Spock. I knew I couldn't keep both, so I gave the stoicism of the female officer to Spock, and married the actress who played Number One. Thank God it wasn't the other way around. I mean Leonard's cute, but...

There's nothing more true in being a child of a diaspora, a child of immigrants. We're completely new to our parents. We're not something they can ever understand. And it's not as if we are ever going to be accepted. We're accepted as long as we conform to what we are expected to be, and I'm sure that's not any different for anyone else.

Adolescence is when the very worst and best impulses in the human soul struggle against each other for possession.

The first thing I remember about the world and I pray that it may be the last is that I was a stranger in it. This feeling, which everyone has in some degree, and which is, at once, the glory and desolation of homo sapiens , provides the only thread of consistency that I can detect in my life.

People... of the universe! Tonight... is the night.. when the skies will open, and spray forth a divine hand with pointed finger! And it will say... everybody... you're not just a duck... YOU ARE HUMAN! YOU ARE HUMAAAAN!!!

Some Americans need hyphens in their names, because only part of them has come over; but when the whole man has come over, heart and thought and all, the hyphen drops of its own weight out of his name.

I don't think a lot of people in America understand what Indians are. And that's our fault, a little. We tend to forget our roots a bit. As kids we think, If I'm too Indian, I'll be put in a box, and people will think of me as different. They'll think I'm weird, because I eat Indian food or my name is difficult to pronounce.

I think a lot of times it just looks like Hollywood actors in Halloween costumes, you know? And I think what we’re going to do with Fantastic Four is going to be very grounded and it made sense to me. When I read the script, I didn’t feel like I was reading this larger-than-life, incredible superhero tale. These are all very human people that end up having to become I guess what is known as the Fantastic Four. So for me it was just a really good story and gives me an opportunity to play something different from my own skin. It’s a proper character and that’s my favorite stuff to do.

She began to feel like the plastic doll she had been named after, without even a hole where her mouth was supposed to be.

To be an Indian in modern American society is in a very real sense to be unreal and ahistorical.

You never know where your next job is going to lead you, down the road. One single episode that might seem so far removed from what you might end up doing in the future might spark somebody's memory bank. Just one little line you said or a look you gave might be what they want to pursue with a character.

So, yes, the five years that we've been working on Star Trek: Deep Space Nine has evidenced a real deepening of all the characters, not only mine.

I feel myself becoming less a person than a place, inhabited, a foreign land.

If you want to draw people into the story, you really have to write as if you're writing a novel and make these actually-existing people, including the actually-existing person with my name, into a believable person on the page. And that requires distance. That requires not being right up against the events you're talking about.

The story revolved around this universal identifiable fear that we must all have, at some point, when you commit yourself to being with another person, to have and to hold until death do us part. It's a huge thing. I just felt like it was a brilliant examination of what would happen, if the person that you trusted implicitly and thought you knew every follicle and pour of, inside and out, started to not be that person anymore, inside. Physically, they're still there, but they're not there mentally.