Stephen Carter Quotes

Our blackness and how to survive being black in America was something that our parents instilled in us extraordinarily well.

Being black is not a matter of pigmentation - being black is a reflection of a mental attitude.

It would seem that some black people want to say that when you, as a black, become successful, you cease to be black. That's ridiculous.

I am proud of my black roots and of the black blood that runs in my veins.

Learn to love being black.

I think all in all, one thing a lot of plays seem to be saying is that we need to, as black Americans, to make a connection with our past in order to determine the kind of future we're going to have. In other words, we simply need to know who we are in relation to our historical presence in America.

What is blackness? Is it the way you talk? Do you got to say, 'Dey this, dey dat.' Or the way you dress? Or is it the forgiving of certain things? What is black enough?

Through my school years, I learned more about slavery, anti-black racism, and oppression in the U.S., and my blackness could no longer be an afterthought. I started wearing it proudly, and as my consciousness deepened, so did my love for black folks.

I celebrate my blackness. I love the artistic vibrancy of the culture I was born to.

I stand on the black side of issues, philosophically, politically, socially, and for me to not check that box, I felt like, would be some sort of betrayal of not only who I am but also the community I affiliate with.

My mother is black, from Grenada, so my blackness was always there, but It wasn't until I started hanging with the upperclassmen black actors at my high school that I really got my roots in being a black American, which is a distinctly different identity and experience.

I love being black.

When I started, I was aware of using the black as a rhetorical device. It's understanding that black people come in a wide range of colors, but you find instances in a lot of black literature in which the blackness is used as a metaphor. In some places, you can find an extreme blackness used as a descriptive.

I'm not going to be one of those people who says, 'I'm a showrunner; I'm not a black showrunner.' I'm black when I go to sleep. I'm black when I wake up, period. It doesn't affect my perspective on everything, but at the same time, it's who I am, and I'm proud of it.

I like to think my work is furthering black culture by educating and empowering black people.

People ask me why my figures have to be so black. There are a lot of reasons. First, the blackness is a rhetorical device. When we talk about ourselves as a people and as a culture, we talk about black history, black culture, black music. That's the rhetorical position we occupy.

I'm African American / I'm African / I'm black as the moon.

Would America have been America without her Negro people?

Obviously, I'm not not black. But this is one thing I do know after years and years of working with a lot of black players and black commentators on many networks: That if you go to the place of you're telling a black man, or a black woman, that 'You should know your place and stay in it,' when you get to there, them's fighting words.

You can't just say in one sentence what is blackness or what is black culture or what makes you who you are.

When I was growing up, 'Ebony Magazine' was a must read in our household. In those pages I found our news, our stories, and my pride.

I think, for a while, there was a kind of debate about whether you could bring back Negro and reclaim it, and then it was black versus African American; now I have noticed in conversation that black people will use all three terms depending on context. I don't advocate one term.

Adults who loved and knew me, on many occasions sat me down and told me that I was black. As you could imagine, this had a profound impact on me and soon became my truth. Every friend I had was black; my girlfriends were black. I was seen as black, treated as black, and endured constant overt racism as a young black teenager.

I am black, and I loved 'Django.'

The black experience isn't exclusively slavery/civil rights/Obama.