Julia Quinn Quotes

It's very difficult to find the time or the money for people to organize rehearsals for some movies. It staggers me how little preparation often goes into these scenes which are difficult and complicated. You think, "God, it's crazy. I've never met this person before and here I am having to work at how to do a whole performance on the set." It was great to have a few days of just talking to Michael [Caine] and Daniel [Barber] and thinking about the characters and the relationship between them before we started shooting.

All the world's a stage.

I would love to do Broadway. I dont think theres anything more amazing than theater. OK, Supergirl is number one. Maybe I could be Supergirl on Broadway That would be perfect.

I think I actually did a production of "Under Milkwood," this Welsh play, with my drama group (at school), and I always remember taking everything far too seriously, and that it wasn't just a hobby but something I wanted to keep on doing.

I’ve loved the whole process. From previews to rehearsals, I’m in the best company. I’ve done one West End show before this but the excitement here…it’s incredible. It’s been a real education working on this, I don’t feel worthy. The role is over the top, bold and ridiculous.

I stopped acting when I was about nineteen, twenty, when I got thrown out of college. I did act for about ten years. I don't know. I suspect I'm still a reasonably good actor, but I don't really know that I want to get on the stage again ... and having to say all those boring words by me over and over again ... I don't know if I want to do that. Also, I like a certain amount of freedom of movement, and if you're acting, you're stuck in one place for a long time. Having said that, I will probably be onstage next fall.

You know, you should start to be in plays and things like that. Write some scripts. If you're an artist and you truly don't believe what you're spittin' then you need to really seriously be an actor then.

Pippin had an opening number called "Magic to Do," and Jules Fisher, the brilliant lighting designer lit it. Tony Walton did all of the sets. As a kid I thought, "Wow, I'm seeing onstage what a MGM musical would look like live." It was that good, and it was directed by Bob Fosse.

If I could act in theater, my whole life, and never act in film or television again, and just direct the rest of my life, I would gladly do that.

I'm sure with a production that's not particularly well received or mediocrely received, it must be incredibly challenging to get up and keep doing it.

People call me a theater actor, but I'm just an actor. But I tell my friends all the time - especially a lot that do theater and haven't done a lot of TV/film - that you have so much more control over your work onstage. When you go onstage, you can really see the difference between people who can really do it, and people who are just kind of pretending to do it. There is no editor, there's nothing that's going to stop the actor from showing what they can do unless it's not a well-written role.

Keith Moon, God rest his soul, once drove his car through the glass doors of a hotel, driving all the way up to the reception desk, got out and asked for the key to his room.

When I was 12, I was in Oliver! at a theater in Glasgow.

I'd come up with one leg in theater, but never my first leg. I loved the camera too much.

Unbeknownst to me, two readers of the posts, both published authors, contacted their agent, Bill Jensen, within 24 hours of each other, encouraging him to drop me a line. Which he did. He shared his extensive publishing background with me, and prayerfully offered to work out a proposal and to see if God opened any publishing doors? I never get over the unexpected ways of God.

I always loved theater and acting in plays and directing, writing little plays and directing friends in plays.

On stage or in the movies I could do whatever I wanted to. I was free.

I've always wanted to be in musicals, not just in film, but on stage. I think it's a wonderful medium.

Theater makes working in movies or TV seem like a cake-walk.

One of the things that made me want to be an actor more than ever was seeing a Chekhov play, "The Sea Gull," when was 14 in the Bronx.

There's nothing so freeing as going to rehearsal and having that experience.

To treat a big subject in the intensely summarized fashion demanded by an evening's traffic of the stage when the evening, freely clipped at each end, is reduced to two hours and a half, is a feat of which the difficulty looms large.

Theater is all about the rehearsal process. In fact, I think a lot of times opening night there's a mixed sadness because you're finished with a lot of people's favorite part of the process, which is finding the character and discovering it, and then you get to live it.

I wasn't trying to do a play or do what Kevin Spacey did. I was trying to do my own thing with it.

I had been in a Shakespeare company for three years and done a lot of Shakespeare. That was fun. That was interesting. It was a lot of work - anything other than Shakespeare was less work. I had a lot of interesting roles, but I don't point to them and say, "That was more interesting than that," because I don't know what the criteria are.