KAREN HESSE

And I know now that all the time I was trying to get out of the dust, the fact is, what I am, I am because of the dust. And what I am is good enough. Even for me.

The work of one author or artist may stimulate another author or artist to push the edge, to take the risk, to go where the field hasn't gone before. The result -very exciting children's literature and art ... exciting both for the professional and for the intended audience, the children.

My father and I, we can't soothe each other. I'm too young, he's too old, and we don't know how to talk anymore if we ever did

Sometimes, a flame can be utterly extinguished. Sometimes, a flame can shrink and waver, but sometimes a flame refuses to go out. It flares up from the faintest ember to illuminate the darkness, to burn in spite of overwhelming odds.

Young readers are the most challenging, demanding, and rewarding of audiences. Adults often ask why I write for the younger set. My reply: 'I can't think of anyone I'd rather write for.'

I hear the first drops. Like the tapping of a stranger at the door of a dream, the rain changes everything.

I have earned wages as a waitress, a nanny, a librarian, a personnel officer, an agricultural laborer, an advertising secretary, a typesetter, a proofreader, a mental-health-care provider, a substitute teacher, and a book reviewer. In and around the edges of all those jobs I have written poems, stories, and books, books, books.

the way i see it, hard times aren't only about money, or drought, or dust. hard times are about losing spirit, and hope, and what happens when dreams dry up.

From the time I was ten, I thought of myself as 'good with words,' thanks to a perceptive and supportive fifth grade teacher.

I don't know what I am thinking. But I am alone. I am trapped in the net of the room. In the net of humans. I think maybe I am drowning in the net of humans.

Young readers are the most challenging, demanding, and rewarding of audiences. Adults often ask why I write for the younger set. My reply: 'I can't think of anyone I'd rather write for.'

From the time I was ten, I thought of myself as 'good with words,' thanks to a perceptive and supportive fifth grade teacher.

I have earned wages as a waitress, a nanny, a librarian, a personnel officer, an agricultural laborer, an advertising secretary, a typesetter, a proofreader, a mental-health-care provider, a substitute teacher, and a book reviewer. In and around the edges of all those jobs I have written poems, stories, and books, books, books.

While growing up in Baltimore, Maryland, I dreamed of becoming many things: an archaeologist, an ambassador, an actor, an author.

And I know now that all the time I was trying to get out of the dust, the fact is, what I am, I am because of the dust. And what I am is good enough. Even for me.

When Ma died, I didn't know how to go on, either. I don't know how. I don't feel the same know, not exactly. Now that I see that one day comes after another and you get through them one measure at a time. But I'd like to go, not like Fonda Nye, I don't want to die, I just want to go, away, out of the dust.

My father and I, we can't soothe each other. I'm too young, he's too old, and we don't know how to talk anymore if we ever did

Sometimes, a flame can be utterly extinguished. Sometimes, a flame can shrink and waver, but sometimes a flame refuses to go out. It flares up from the faintest ember to illuminate the darkness, to burn in spite of overwhelming odds.

Now Livie's gone west, out of the dust, on her way to California, where the wind takes a rest sometimes. And I'm wondering what kind of friend I am, wanting my feet on that road to another place,instead of Livie's.

I don't know what I am thinking. But I am alone. I am trapped in the net of the room. In the net of humans. I think maybe I am drowning in the net of humans.

The work of one author or artist may stimulate another author or artist to push the edge, to take the risk, to go where the field hasn't gone before. The result -very exciting children's literature and art ... exciting both for the professional and for the intended audience, the children.

the way i see it, hard times aren't only about money, or drought, or dust. hard times are about losing spirit, and hope, and what happens when dreams dry up.

I hear the first drops. Like the tapping of a stranger at the door of a dream, the rain changes everything.