Brenda Ueland Quotes

I tend to absorb a lot of what other people are feeling.

Our emotions resonate with each other - for better and for worse.

I'm an emotional person. I chose films based on emotions.

When you talk about a reader being emotionally moved, a feeling of empathy, I think that comes out of that line-by-line respect for reader. That's actually where it all comes from.

Emotions are raised in us, not only by the qualities and actions of others, but also by their feelings. I cannot behold a man in distress, without partaking of his pain; nor in joy, without partaking of his pleasure.

Where is your Self to be found? Always in the deepest enchantment that you have experienced.

I leaned forward and kissed him. And again. As if I were passing him all those silent words I cound not say, the ones that explained my biggest secret: that I might not have OI but I knew how he (Adam) felt. That I was breaking apart, too, all the time."-Amelia

If we conceive that anyone loves, desires, or hates anything which we ourselves love, desire, or hate, we shall thereupon regard the thing in question with more steadfast love, etc. On the contrary, if we think that anyone shrinks from something that we love, we shall undergo vacillation of the soul.

For me, it's important that I experience and feel what the characters are feeling. So I put myself in those moments, in their thoughts, and let it happen naturally. I write what I feel.

My chest got this weird feeling, like when you stare into the eyes of a little baby and the baby looks back up at you and you can feel how pure and innocent it is, so much that it makes your stomach feel empty - probably 'cause you realize you used to be pure like that, too, and now you're not.

She felt, with her hand on the nursery door, that community of feeling with other people which emotion gives as if the walls of partition had become so thin that practically (the feeling was one of relief and happiness) it was all one stream.

In a fragment of a second you can understand: Things you know, things you don’t know, things you don’t know that you don’t know, conscious, unconscious, things which in a fragrant of a second you can react to: we can all imagine why this capacity was given to us as human beings - I guess to survive. Architecture to me has the same kind of capacity. It takes longer to capture, but the essence to me is the same. I call this atmosphere. When you experience a building and it gets to you. It sticks in your memory and your feelings. I guess thats what I am trying to do.

Merely that you start off with ideas buzzing around in your head, and then you try to give them the simpler, more graceful shape, of a feeling that a reader might share. You learn to sing with, not argue at, your possible readers.

Writers don't often say anything that readers don't already know, unless its a news story. A writer's greatest pleasure is revealing to people things they knew but did not know they knew. Or did not realize everyone else knew, too. This produces a warm sense of fellow feeling and is the best a writer can do.

Acting has to reach everybody on some level - it's a communication of feeling - but as far as judging the work is concerned, it is, I think, something that actors know about.

People are persuaded by reason, but moved by emotion; [the leader] must both persuade them and move them.

Lying under this spell you cast on me Each moment The more I love you.

Here's what I mean by the miracle of language. When you're falling into a good book, exactly as you might fall into a dream, a little conduit opens, a passageway between a reader's heart and a writer's, a connection that transcends the barriers of continents and generations and even death ... And here's the magic. You're different. You can never go back to being exactly the same person you were before you disappeared into that book.

And yet, something tied them together, strong than any of that, something with the power to conduct her blood and breath like a symphony, so that anything she did to fight against it felt like discord, like disharmony with her self.

I couldn't possibly have played someone with feelings towards a woman unless I had those feelings myself.

What use having a great depth of field, if there is not an adequate depth of feeling?

All the kindness which a man puts out into the world works on the heart and thoughts of mankind.

I think [music and acting], they are connected, all that stuff. It's your emotional self, is pretty much how you do it, I think, from whatever place you do it, whether you're acting or you're singing.

The heart of change is in the emotions.

I think that music is still a mystery to most people. It kind of goes through most people without a specific thought. They feel the music, which is what's supposed to happen. They're not supposed to be curious about who wrote the music; they're supposed to feel what the show is trying to get them to feel. So if I help get that feeling across, that's good enough for me.