Christopher Morley Quotes

knowledge began freely replicating and quickly assumed a life of its own.

The net's future is far from assured, and history offers much warning. Within a few decades of Gutenberg's creation, princes and priests moved to restrict the right to print books.

As the words of my book, 'The Bloodless Revolution,' accumulated, I envisaged a parallel growth: the stack of pages they would have to be printed on, thousands of times over; every page representing a slice of forest, a belch of fumes and a squirt of toxic ink.

I had to learn to call book jackets 'jackets' rather than 'covers.'

And it does no harm to repeat, as often as you can, 'Without me the literary industry would not exist: the publishers, the agents, the sub-agents, the sub-sub-agents, the accountants, the libel lawyers, the departments of literature, the professors, the theses, the books of criticism, the reviewers, the book pages- all this vast and proliferating edifice is because of this small, patronized, put-down and underpaid person.'

Usually when I put together a book like this Death-Ray hardcover or that Ghost World special edition, then I have to reread it and see if there is anything I want to change or any re-coloring I want to do. That's when I'm faced with the actual work. When I'm working, I'm too close to it. I'm sort of inside, and I can't see it at all. So when I have that experience of rereading it years later, it's jarring.

All that are printed and bound are not books; they do not necessarily belong to letters, but are oftener to be ranked with the other luxuries and appendages of civilized life. Base wares are palmed off under a thousand disguises.

There can hardly be a stranger commodity in the world than books. Printed by people who don't understand them; sold by people who don't understand them; bound, criticized and read by people who don't understand them; and now even written by people who don't understand them.

I had a book come out several years ago, when there were no blogs. This is a mark to me about how the environment has changed.

It is the mission of the printer to diffuse light and knowledge by a judicious intermingling of black with white.

Publishing is the final step in making a book; if I was afraid to publish one, I wouldn't write it in the first place.

Paperbacks weren't considered real books in the book trade. Up till then it was just murder mysteries, potboilers, 25-cent pocket books sold in newsstands. When the New York publishers started publishing quality paperbacks, there was no place to buy them.

What I've discovered more recently is copies of books that I didn't represent, but that my boss represented when I assisted her on the dollar pile. I won't mention any names, but it is this profoundly bittersweet time of realizing, "Oh, I had a wonderful time working on this book and now it is a dollar relic on the side of the road."

I quit law in 1988 to start writing, and it took me 17 years from that point to get a book contract. I guess you can say I was on the slow train.

My British publisher has this independent press. It's pretty small; they actually won last year. And she's got this great energy, and she's fiercely independent, and you know this book was a hard sell. No one wanted to buy this book. But she did, and so it's paid off for her, I hope.

Blessings be the inventor of the alphabet, pen and printing press! Life would be -- to me in all events -- a terrible thing without books.

More and more books are published every year. If people were not reading them, they wouldn't be published. We are in a different moment. We are now reading electronic books or whatever else, but people are still reading, and people still need stories.

I work most days and if you work most days and you get at least a page done a day, then at the end of the year you have 365. So the pages accumulate and then I publish the books.

Most books, after all, are ephemeral; their specifics, several years later, inspire about as much interest as daily battle reports from the Hundred Years' War.

A book is a product of a pact with the Devil that inverts the Faustian contract, he'd told Allie. Dr Faustus sacrificed eternity in return for two dozen years of power; the writer agrees to the ruination of his life, and gains (but only if he's lucky) maybe not eternity, but posterity, at least. Either way (this was Jumpy's point) it's the Devil who wins.

My idea was always to start with a small press and then move up to a national press. I had those goals for my career from the time I was a very young woman. I wanted to win a local award, then I wanted a state or national award. Small press, big press. Some women fantasize about their weddings, their husbands, and children. I fantasized about what I wanted to accomplish with my books.

You can't sell a book in America if you don't dump on Bush. That's the cheapest shot in the world. You cannot get an advance, and you can't sell a book because the publishers are all people who hate Bush and hate Republicans.

I decided years ago not to read stories about myself anymore. Each one is a potential minefield: Whatever it says, you're bound to take it the wrong way. Why do it if you know it's going to make you miserable?

If the novels are still being read in 50 years, no one is ever going to say: 'What's great about that sixth book is that he met his deadline!' It will be about how the whole thing stands up.