Nina Dobrev Quotes

I've been offered lots of movies. There's always some actor who's doing a project and would like to have me do it. But you look at the project and think, 'Gee, there are a lot of good directors who could do that.' I'd like to do something only I can do.

I've always been in the middle of making my own movies, so taking acting jobs that take me away from that has been impossible.

I suppose where I am sort of reflects the work I have chosen to do. Are there occasional frustrations because I can't work with a certain director because it's a big studio movie, and I don't have enough of a studio profile? The answer is yes. But generall... generally, I have the career I have chosen myself.

I tried [being a mogul]. It bores me. I don't really want to produce other people's movies. Because they're either grown-up filmmakers like Steven Soderbergh or Kathryn Bigelow that didn't really need me - and I've produced both of them. It's fun to sit around with them and be collegial, but they don't need me. They can make the film without me. I make my own stuff. There are tons and tons of other things I'm interested in that have nothing to do with movies or are documentary projects.

Everyone wants to do only those films which they find interesting. That is the way the industry works.

In film school, you get skills, but then you get lackey jobs, working on projects that you probably don't care about. And there's something in me where I just couldn't bring myself to edit some misogynistic rom-com or movies that I would have hated to be a part of. So I knew I just wouldn't get any work because of that.

I know a lot of editors who are very bitter about the directors they work with. They feel they could have done a better job, and I say to them, 'Oh really? Why don't you go try - it's not easy.'

At Pixar, we believe strongly that filmmakers should develop ideas they are passionate about. This may sound like a no-brainer, but in fact in Hollywood, the big movie studios have whole departments devoted to acquiring and developing projects that will only later be paired with a director-for-hire.

I like to produce my own movies.

Maybe I'm more suited to making small independent films.

The good thing about doing a comic that's entirely my own voice as a debut is that people approached me with similar jobs, with stuff that they knew that I could do justice to because they had read what I'd already done. It meant that I was getting jobs that I was actually interested in, and I didn't have to prove myself on someone else's property.

Doing less films is sometimes intentional, but sometimes things just don't work out.

All filmmakers want the option to make another film, to have it not always be such an uphill battle - for it to be our life, our working life.

I eventually want to write and direct and produce my own stuff.

A director is a very selfish person. For him, his film is like his baby.

Even when I’m not working, I’m still working on something because I just want to create something.

Lots of scripts are written and not made, even scripts that people want to make.

During my career as a standup and actor, I realized it was very frustrating for me to get hired because Hollywood was hiring a different kind of brother, you know, and I was doing political humor... In order for me to really have a long career, I'm going to have to learn how to write and produce for myself... I had no idea I was really going to like it and I'm very fortunate to be successful. But the idea was to always eventually create something for myself. That was the idea from the beginning when I went into writing and producing.

I'm fortunate enough to act in a TV show that makes me a lot of money so I can pay for my own movies. I don't have to wait for anybody and that's more of what I like doing. But I still think that you don't have to be connected in the industry to make your movie. You just have to write something that is meant to be made cheaply.

I know a lot of directors have a whole staff of people trying to find their next film for them. I always just end up writing mine.

If everyone's comfortable, you can pretty much make any kind of movie that the director wants.

I never desired to really go to Hollywood and make films, and purely because I want my entire control, which I'm used to having.

You always want to do something different. I enjoy the process. I like making movies, and it's increasingly hard to find a movie you'd want to make.

I hear a lot of, "We want to make a movie with you." Then "No, we don't want to make this one. We want to make that other movie with you." I don't really get that and it's very frustrating. It angers me. Because my movies are my movies.

You write a screenplay and then everybody is going to want to get in on it and we have to figure that out. I've written three screenplays that are at studios and I still haven't been making them yet so there is always something that is either going to trip something up or maybe get another pass.