Jelly Roll Morton Quotes

Once there was Louis Armstrong blowing his beautiful top in the muds of New Orleans; before him the mad musicians who had paraded on official days and broke up their Sousa marches into ragtime. Then there was swing, and Roy Eldridge, vigorous and virile, blasting the horn for everything it had in waves of power and logic and subtlety - leaning into it with glittering eyes and a lovely smile and sending it out broadcast to rock the jazz world.

Jazz has borrowed from other genres of music and also has lent itself to other genres of music.

In New Orleans, people are still influenced by one another. You got these bands that play every week on Frenchmen Street, and on their breaks, they might go see the reggae band that's right next door. You might get the musicians from the reggae band to sit in with the brass musicians. Everyone is having fun.

What I do is always hard for me to explain, but it's like a mixture of New Orleans jazz and world music, with a little bit of Spanish flavour. I just take all that and mix it with Chilliwack, and something comes out!

In such a globally connected world, musicians now have the unique opportunity to express all of the cultural 'mash ups' we are experiencing these days. Akin to the blend of cultures that occurred in early 20th-century New Orleans that led to the birth of jazz, I believe that the world has reached a similar cultural turning point.

But one of the things I have learned during the time I have spent in the United States is an old African American saying: Each one, teach one. I want to believe that I am here to teach one and, more, that there is one here who is meant to teach me. And if we each one teach one, we will make a difference.

In this country, particularly, actually in times that are difficult, or from corners of America where you least expect it, unbelievable pure creativity has welled up. Generally because of the cross-fertilization... a Scott Joplin tune becomes jazz, becomes blues, and becomes rock 'n' roll.

I think we as human beings need to be able to appreciate each other's differences and I think jazz really takes us in that direction.

It is probably a pity that every citizen of each state cannot visit all the others, to see the differences, to learn what we have in common, and come back with a richer, fuller understanding of America - in all its beauty, in all its dignity, in all its strength, in support of moral principles.

No heating system can deliver perfectly uniform temperatures throughout a house, and drafts can magnify the perceived difference in temperatures. Try walking around with a thermometer.

There are plenty of people over there who understand the difference. And there are plenty of people over here who understand the difference. It's still one world and it has been for a long time.

The differences between people need not act as barriers that wound, harm and drive us apart. Rather, these very differences among cultures and civilizations should be valued as manifestations of the richness of our shared creativity.

When I first organized the King Cole Trio back in 1937, we were strictly what you would call an instrumental group. To break the monotony, I would sing a few songs here and there between the playing. I sang things I had known over the years. I wasn't trying to give it any special treatment, just singing. I noticed thereafter people started requesting more singing, and it was just one of those things.

When I was a child, we seemed to be living in a world remote from the rest of the world. But television has made a great difference to all of us. If something happens where I live, you see it tomorrow or perhaps even at the same time it is happening there. It's not "one world" in the sense that conflicts are resolved in the world. But we are more one world in that we know what is going on and are psychologically influenced by what goes on around us.

In New Orleans, you can pitch a rock and hit a great trumpeter.

We people of the world need to find ways to get to know one another - for then we will recognize that our likenesses are so much greater than our differences, however great our differences may seem. Every cell, every human being, is of equal importance and has work to do in this world

We need to embrace the differences between our cultures and love them.

It was thinking negative thoughts or thinking positive thoughts, leaving the house prepared or leaving the house unprepared that made the difference.

Dalai Lama is very interested in learning from and sharing tips with people in other traditions, but he always stresses that we shouldn't underestimate the important differences between them.

The only way to come to a full acceptance and understanding of yourself is to embrace your own culture, quirks and differences while learning about those around you and exploring, incorporating and embracing their cultures, differences, quirks, etcetera.

When I was a little kid wanting to play music, it was because of people like Pete Johnson, Huey Smith, Allen Toussaint, Professor Longhair, James Booker, Art Neville ... there was so many piano players I loved in New Orleans. Then there was guys from out of town that would come cut there a lot. There was so many great bebop piano players, so many great jazz piano players, so many great Latin piano players, so many great blues piano players. Some of those Afro-Cuban bands had some killer piano players. There was so many different things going on musically, and it was all of interest to me.

In the little travel I've done to other countries, the Jews there embraced me saying, Come to our house, come and have Shabbat with us. Jews in the Diaspora. I didn't imagine an Israeli traveling to the U.S. would feel this intensity of a forced relationship.

Rock and roll ain't nothing but jazz with a hard backbeat.

It seemed [there are] musical nodes on the planet where cultures meet and mix, sometimes as a result of unfortunate circumstances, like slavery or something else, in places like New Orleans and Havana and Brazil. And those are places where the European culture and indigenous culture and African culture all met and lived together, and some new kind of culture and especially music came out of that.

As many bands as you heard [in New Orleans], that's how many bands you heard playing right. I thought I was in Heaven playing second trumpet in the Tuxedo Brass Band -- and they had some funeral marches that would just touch your heart, they were so beautiful.