H. P. Lovecraft Quotes

Two aged men, that had been foes for life, Met by a grave, and wept - and in those tears They washed away the memory of their strife; Then wept again the loss of all those years.

I hate that she's hurt. I hate that she's been hurt, by me and by others, throughout the entire arc of her life. I barely remember pain, but when I see it in her I feel it in myself, in disproportionate measure. it creeps into my eyes, stinging, burning.

Ah, what a warning for a thoughtless man, Could field or grove, could any spot of earth, Show to his eye an image of the pangs Which it hath witnessed,-render back an echo Of the sad steps by which it hath been trod!

I'm watching her talk. Watching her jaw move and collecting her words one by one as they spill from her lips. I don't deserve them. Her warm memories. I'd like to paint them over the bare plaster walls of my soul, but everything I paint seems to peel.

You've got to bring the emotion, and you have to understand that you can't touch other people if you're not touched. You can't move other people if you're not moved. So if you're just giving some frickin talk you've memorized over and over again, you're going to have a flat affect. If you've just got a bunch of visuals on the screen that are leading your talk, hang up your shoes and get the hell out of there.

This is the real and the only reason for friendship: to provide a mirror so the other person can contemplate his image from the past, which, without the eternal blah-blah of memories between pals, would long ago have disappeared.

For that great Love speaks in the most wretched and dirty hearts; only the tone of its voice depends on the echoes of the place in which it sounds.

My ultimare goal is, without illusion and without sentimentality, merely by telling the truth as I see it, to break your heart. If I can break your heart and cause your awareness to expand to include another person's experience, even a fictional person's experience, and to inhabit for a moment their sorrow and suffering, then I think it expands us as people.

An intellectual, heartless man never becomes an inspired man. It is always the heart that speaks in the man of love; it discovers a greater instrument than intellect can give you, the instrument of inspiration.

Empathy is at the heart of the actor's art.

I think the actor or performer should be - to touch that truth inside of a person. Touch that reality so much that they become a part of what you're going and you can take them anywhere you want to.

The reason I love acting is because I feel like acting is all about listening.

When someone says "that resonates with me" what they are saying is "I agree with you" or "I align with you." Once your ideas resonate with an audience, they will change. But, the only way to have true resonance is to understand the ones with whom you are trying to resonate. You need to spend time thinking about your audience. What unites them, what incites them? Think about your audience and what's on their mind before you begin building your presentation. It will help you identify beliefs and behavior in your audience that you can connect with. Resonate with.

A lot of my clients say they don't deserve to mope about their sad little memories while children are starving in India. I say that just because your broken arm isn't as serious as someone else's gut wound, that doesn't mean your injury isn't excruciating or doesn't require attention. If you want to help the Indian children, or make the world a better place in any other way, you have to start by becoming whole yourself.

It's kind of hard to articulate, but, like, this notion of mercy, forgiveness, was very appealing for me. It was very profound. And it had a deep impact, and I think it still does.

a kind of memory that tells us that what we're now striving for was once nearer and truer and attached to us with infinite tenderness. Here all is distance, there it was breath. After the first home the second one seems draughty and strangely sexed.

Ultimately what we actors are doing is communicating with people who are feeling alone or feeling different or confused or whatever and you're communicating and saying, "Hey, I don't get to know you, but here's a piece of me and you're not alone. We're in this together." Hopefully that communication has maybe made some people feel less alone.

How can I forgive if you are not ready to give up that which caused you to stumble?

I'd always liked the idea that drama acts at its best as a kind of arena for debate, not just about the thing itself, but also producing aesthetic, stylistic, political and moral discussions. The Jungian view would be that it affects all of our imaginations and somehow taps into our hidden, ancient, primordial memories.

What's important is the way we say it. Art is all about craftsmanship. Others can interpret craftsmanship as style if they wish. Style is what unites memory or recollection, ideology, sentiment, nostalgia, presentiment, to the way we express all that. It's not what we say but how we say it that matters.

Remember one thing: the one who brings unhappiness to others in the end becomes unhappy himself, and the one who brings happiness to others in the end reaches to the heights of happiness. That's why I am saying that someone who tries to give happiness develops the center of happiness inside himself, and someone who tries to bring unhappiness to others develops the center of unhappiness inside himself.

How I do love the earth. I feel it thrill under my feet. I feel somehow as if it were conscious of my love, as if something passed into my dancing blood from it.

Compassion begins with the acknowledgment of the single inescapable truth that is the foundation for the possibility of love between human beings - an awareness of the tragic sense of life.

In that film Love Story, there's a line, "Love means never having to say you're sorry." That's the dumbest thing I ever heard. Love means saying you're sorry every day for some little thing or other.

When we go to the movies, we identify with the characters we see. That's why we go to the movies; we have a voyeuristic experience; we have an out of the body experience. The screen is more real than our thoughts are at the moment we are looking at the film and we place ourselves in the place of the people on the screen, and when they behave nobly, it makes us feel noble, when they are sad and when they have lost love, we feel sad; we can identify with that.