Alain de Botton Quotes

what bothers me today is the lack of, well, i guess you'd call it authentic experience. so much is a sham. so much is artificial, synthetic, watered-down, and standardized...we're standardizing people, their goals, their ideas. the sham is everywhere.

What is missing in a lot of urban music is perspective. You hear a lot of regurgitated perspective. It's a lot of: out at the club. Had drinks. Patrón. Big booties. It's this regurgitated idea of living in this, I don't know, one-night-stand moment that always starts at the club and Patrón. And so perspective, perspective, perspective is what I'm an advocate of.

Every thought is new when an author expresses it in a manner peculiar to himself.

Swing your swing. Not some idea of a swing. Not a swing you saw on TV. Not that swing you wish you had. No, swing your swing. Capable of greatness. Prized only by you. Perfect in it's imperfection. Swing your swing. I know, I did.

I always believed that style was more important than fashion. They are rare, those who imposed their style while fashion makers are so numerous.

People were standing up everywhere shouting, "This is me! This is me!" Every time you looked at them they stood up and told you who they were, and the truth of it was that they had no more idea who or what they were than he had. They believed their flashing signs, too. They ought to be standing up and shouting, "This isn't me! This isn't me!" They would if they had any decency. "This isn't me!" Then you might know how to proceed through the flashing bullshit of this world.

I no longer have a borrowed soul. I no longer have borrowed thoughts or ideas. I no longer speak in a borrowed language.

If you never look just wrong to your contemporaries you will never look just right to posterity - every writer has to try to be, to some extent, sometimes, a law unto himself.

I didn't want to imitate anybody. Any movement I knew, I didn't want to use.

If all you've got is somebody else's stuff that you've lifted, nothing really deep, then it is going to thin out.

I don't want words that other people have invented. All the words are other people's inventions. I want my own stuff, my own rhythm, and vowels and consonants too, matching the rhythm and all my own.

It’s so important to create in your own voice, to hold onto what makes you unique, and have faith in your vision.

A poor original is better than a good imitation.

The world values the seer above all men, and has always done so. Nay, it values all men in proportion as they partake of the character of seers. The Elgin Marbles and a decision of John Marshall are valued for the same reason. What we feel in them is a painstaking submission to facts beyond the author's control, and to ideas imposed on him by his vision. So with Beethoven's Symphonies, with Adam Smith's Wealth of Nations - with any conceivable output of the human mind of which you approve. You love them because you say, These things were not made, they were seen.

There is a certain way of being human that is my way. I am called upon to live my life in this way, and not in imitation of anyone else's life. But this notion gives a new importance to being true to myself. If I am not, I miss the point of my life; I miss what being human is for me.

Originality is deliberate and forced, and partakes of the nature of a protest.

Write the poem only you can write.

I want to reach people and express myself. You have to put up with the risk of being misunderstood if you are going to try to communicate. You have to put up with people projecting their own ideas, attitudes, misunderstanding you. But it’s worth being a public fool if that’s all you can be in order to communicate yourself.

I know from experience that to one who thinks much and feels deeply, it often seems that he has only to put down his thoughts and feelings in order to produce something altogether out of the common; yet as soon as he sets to work he falls into a certain mannerism of style and common phraseology; his thoughts do not come spontaneously, and one might almost say that it is not the mind that directs the pen, but the pen leads the mind into common, empty artificiality.

Let us not look east and west for materials of conversation, but rest in presence and unity. A just feeling will fast enough supply fuel for discourse, if speaking be more grateful than silence. When people come to see us, we foolishly prattle, lest we be inhospitable. But things said for conversation are chalk eggs. Don't say things. What you are stands over you the while, and thunders so that I cannot hear what you say to the contrary.

It is impossible to imitate Voltaire without being Voltaire.

I love the idea of people being themselves in films.

Sometimes actors' mistakes give me ideas I can use, because mistakes are always sincere, absolutely sincere.

Don't blend in; instead, clash with your environment. Stand out. Be different. That's what will draw attention to your ideas. Nothing has intrinsic attention-grabbing power by itself. The power lies in how much something stands out from its context.

In order to be a great writer a person must have a built-in, shockproof crap detector.