James Marsden Quotes

Who didn't cry at 'The Notebook?' If you didn't cry at 'The Notebook,' something is probably wrong with you.

Has anybody seen 'The Notebook' and not cried? I don't know, I don't know if that's the case. It sort of hangs around for a while.

I laughed all the way through Love Story.

You know, I watched the original 'Same Time, Next Year' on DVD about ten times this year, and I cried all ten times.

You watch 'Whale Rider,' and I defy you to not get teary-eyed at the end there.

Some people could say, "I'd like something that's super dramatic and miserable and made me cry and made me sad forever" but that's not my taste.

I've cried a hundred times at The Notebook. My wife cries and that makes me cry, and she makes me promise we're going to die in bed together. I'm like: "That's weird, I don't want to talk about that."

I'm not ashamed to say that I cried at an animation movie

'The Lucky One' is at its heart a romance novel, elevated however by Nicholas Sparks' persuasive storytelling. Readers don't read his books because they're true, but because they ought to be true.

Comedy and horror are cousins; they're related. They both come from storytellers who want to specifically affect the audience and elicit specific reactions during the movie.

I do think 'The Notebook' is a darn good movie.

I never paid attention to many of the Nicholas Sparks films. 'The Notebook,' which my wife liked, I felt that Ryan Gosling was a genius in it and Rachel McAdams has this thing about her that you just want to take care of her. I remember that chemistry between them.

'Ted' made me nearly cry. It's kind of like 'Marley and Me.'

I would love to be in a Nicholas Sparks movie. And Scarlett Johansson inspired me. I think it's cool when women are able to kick butt.

I think that the cinema is a physical thing. What I'm looking for is creating a physical shock with the audience. I don't care of the meaning. I don't care of the idea. I don't want to say something. I want to make a 'shock physique.'

'Miracle at St. Anna.' I was challenged by Spike Lee. When he offered me the film, he looked me square in the eye and said, 'You start this film off and you end this film. I don't want a dry eye in the theatre. Can you pull that off?' He was dead serious.

Americans have always been excellent at making romantic comedies - but dramatically, we don't really try to do it.

I find films incredibly emotional. That's the power of the medium.

I went to see Oliver Stone's 'Heaven & Earth,' which I thought was a wonderful movie, but I walked out because I was so moved. It was too painful to watch.

At Christmas, 'It's a Wonderful Life' makes me cry in exactly the same places every time, even though I know it's coming.

I took 'P.S. I Love You' thinking it was going to be a little funny, and I ended up crying every day on that film.

The first movie that made me cry was 'Dead Poets Society.' That one gets me. 'O Captain! My Captain!' That moment kills me.

I find these shows very touching sometimes.

I'll shout out to James L. Brooks. 'Terms of Endearment' always makes me cry. Also, 'Stepmom' always makes me cry. I guess, you know, mothers dying. It's a safe bet that I'm going to cry.

'The Notebook' wrecks me! I cry like a 6-year-old girl at the end.